Sin City

A reader writes:

Dear Jimmy,

This has been a rough day in a rough week and the news from the Vatican has me totally bummed out. What to do? I had a spare moment and thought that a little distraction would help. I like Bruce Willis. I like Tarantino. I decided to see Sin City.

This movie is one of the worst things to see with the eyes. It is very anti-establishment and has some real over-the-top anti-Catholic moments in it as well. It sickens me that in this time of crisis, I cannot go to a simple movie without being blasted by the hatred of some adolescent mind.

Anywho, my advice: do not see this fifty-pound monkey that sits on your head relentlessly banging it … I mean, movie.

Sin Cerely,
Namewithheld

A thought: I don’t know what movies are playing right now, but one can still see movies that aren’t Evil. May I suggest The Incredibles (just out on DVD)? It’s InconceivableIncredible!

Thanks for the warning about fifty-pound monkeysmovies!

A Spectator Of Reality (TV, That Is)

You know you’re a couch potato when you watch reality on TV.

Reality shows, that is.

This season I’ve been watching "Survivor: Palau," "The Amazing Race 7," and "The Apprentice [3]."  I tend to be an on- and off-viewer of these shows, and usually hop on the bandwagon after the first season — and the initial fad — has passed by.  I didn’t start watching "Survivor" or "The Apprentice" until Season 2.  I only started regularly watching "The Amazing Race" this season, and that was because of the entrance of "Survivor"-sweethearts Amber Brkich and Rob Mariano into the Race.

One of the interesting aspects of the reality shows is the moral issues that arise during the course of the season.  For example, if you watched "The Amazing Race" this week, you may have noticed that when one of the leading teams flipped its jeep, another leading team stopped but others (notably Rob ‘n Ambuh) sped on.  Later, Rob and Amber were especially held up for scorn by the team that stopped (Lynn and Alex) because R & A leapfrogged into second while Lynn and Alex ended up in fourth.

So, were Lynn and Alex right?  Was it a moral obligation to stop?

If practical assistance could be given such as medical care or the sacraments, sure.  Human life is much more important than any game — or the possibility of a million dollars.  Of course, if you can call for help, you should; and if you have actually witnessed the accident occur, you should report that to the authorities.  But if all one could do would be to murmur sympathetically and gawk at the accident, there is no obligation to stop, anymore than there would be if you saw the same accident by the side of the road on your way to work.    Indeed, when you would be a hindrance by staying, moving along — and thus keeping the accident site clear of spectators (as distinguished from witnesses) — would be the right thing to do.

The Clone Wars

Clonewars_1We’ve been hearing about the Clone Wars ever since Alec Guinness first mentioned them in the original Star Wars movie back in 1977.

But we’ve never seen them.

Even now we probably won’t really get to see them on the big screen. The first clone war begins at the end of Episode II and the last is reported to end in Episode III, probably (this is speculation on my part, so don’t spoil it, anybody who has specific knowledge) early so that the story can focus on the fall of Annakin Skywalker.

But we have the unique chance to see the Clone Wars on the small screen, either TV or computer. Lucas contracted to have a clone war cartoon series made by cartoon action-master Genndy Tartakovsky (known for such action-oriented toons as The Powerpuff Girls and the visually-stunning Samuari Jack) for Cartoon Network.

The results turned out well enough that Lucas asked Tartakovsky to go back to the drawing board and do a sequel clone war cartoon series that would lead directly in to Episode III. In fact, the final shot of the last animated clone war toon is supposed to be the same as the opening shot of Episode III (immediately after the roll-up).

Events in the second clone war toon series also directly set the stage for the Episode III roll-up, which refers to events occurring in the second animated series, conferring on this at least a semi-canonical status (unlike the rest of the "Expanded Universe" materials).

This presents Episode III spoiler-avoiders with a unique dilemmaopportunity. Watching the antimated clone war series ain’t really spoiling Episode III for oneself if Lucas has put the material out there specifically to set the stage for Episode III, so you could watch them in good conscience.

If you wanna do that, how do you go about doing it?

Well, chapters 1-20 are now out on a DVD called Star Wars: Clone Wars, Volume 1.

You can also read a brief, spoiler-light summary of them here.

Chapters 21-25, the ones that immediately set the stage for Episode III aren’t on DVD yet (and I haven’t been able to find out when they will be) BUT, for a limited time only, you can

WATCH THEM ONLINE HERE.

For those who care about such things, here is my non-spoiler review of the two series:

The first twenty chapters were produced as 3 1/2 minute segments which, together, form a story 69 minutes long. The need to have each 3 1/2 minutes form a self-contained chapter severely hampers story development and tilts the series too heavily toward action rather than plot or character development, though Star Wars fans will still want to see the series. In my opinion the series gets better as it goes, with more plot and character development occuring as it progresses. The action also gets better, and the climax of Annakin’s personal arc is particularly effective, as it is clear he is still moving toward the Dark Side.

The second series of five episodes has chapters that are twelve minutes long (for a total of an hour), and this makes a night-and-day difference. Suddenly there is far more room for plot and character development, and the second series is far superior to the first. The series is more richly-drawn, both metaphorically (better character development) and literally (better animation). The backgrounds are particularly good (even though I saw them on a 2" x 3" screen). There are significant bits of Jedi lore that are filled in, and the climactic battle that sets the stage for Episode III really has some surprisingly dramatic action, including intense and creative light saber work that I’m hoping they copy (or even surpass) on the big screen.

Finis Valorum

ValorumOkay, remember that Valorum guy from the Star Wars films who was chancellor before Palpatine and who was "mired in baseless allegations" and was thus forced to resign, leading to the election of Palpatine as the new chancellor?

Yeah, him.

Okay, here’s the deal: His full name is allegedly Finis Valorum according to Star Wars gunk I was reading on the Web. (PRE-PUBLICATION UPDATE: Verified it from the official site.)

If so, tThat’s interesting. In the films he represents the last, virtuous leader of the Republic who is brought down through the machinations of evil, leading to the rise of the Empire.

So what’s his name’s connection with that?

In Latin finis valorum means "the End of the Valorous Ones."

Go fig.

Wonder how aware of that Lucas was.

Don't Tell MOMA

OK, so what do you do if your an artist and nobody is interested in your work? Well, you could cut off your ear, but that is so last century. It’s been done, and modern art is all about breaking boundaries, and stuff. So that’s what this guy actually did! Slipping past the rigid barriers of the bourgeois establishment (and some security guys), he managed to sneak several pieces of art into a number of famous modern art galleries and museums ( Like MOMA), where they hung for days without being noticed. Hey, why wait ’til your dead, right?

Of course, the trade-off is that he will now be remembered for being clever, rather than talented. But, hey, that’s what modern art is all about!

GET THE STORY.

Don’t Tell MOMA

OK, so what do you do if your an artist and nobody is interested in your work? Well, you could cut off your ear, but that is so last century. It’s been done, and modern art is all about breaking boundaries, and stuff. So that’s what this guy actually did! Slipping past the rigid barriers of the bourgeois establishment (and some security guys), he managed to sneak several pieces of art into a number of famous modern art galleries and museums ( Like MOMA), where they hung for days without being noticed. Hey, why wait ’til your dead, right?

Of course, the trade-off is that he will now be remembered for being clever, rather than talented. But, hey, that’s what modern art is all about!

GET THE STORY.

Star Wars Roll-Ups

No, they’re not a new kind of fruit snack. (To my knowledge, that is.) They’re the opening words that you see crawling or "rolling-up" the screen at the front of Star Wars movies.

As the date for the release of Episode III: Revenge of the Sith draws nigh (it’s just over a month away), Lucas has let slip (minor) spoilers for what is to come. (Major spoilers are also available all over the Internet for those who are inquisitive.)

One of the things he has let slip is the roll-up for Episode III, which is posted on the official site. It has minor spoilers (the crawls tend to set up the movie but don’t give away much of what happens in it), but for the spoiler-timid, I’ll post it here in white-on-white so you’ll need to Select All or swipe to see the text:

Episode III

REVENGE OF THE SITH

War! The Republic is crumbling under attacks by the ruthless Sith Lord, Count Dooku. There are heroes on both sides. Evil is everywhere.

In a stunning move, the fiendish droid leader, General Grievous, has swept into the Republic capital and kidnapped Chancellor Palpatine, leader of the Galactic Senate.

As the Separatist Droid Army attempts to flee the beseiged capital with their valuable hostage, two Jedi Knights lead a desperate mission to rescue the captive Chancellor. . . .

ORIGINAL SOURCE. 

The Publishing Mart

Have you sought to be publication and found that others had their writing dreams come true, but you did not?  Has your work sat on a shelf like an unmarriageable spinster pining the notice of Mr. Publisher?  The Paperback Writer‘s musings on publication in a Jane Austen-world may be for you:

"It is a truth universally acknowledged that a publisher in possession of a large house must be in want of a writer.

"I’m channeling Jane Austen this morning because the marriage mart story from her novel Pride and Prejudice is an excellent analogy for the people and processes in the publishing industry. Maybe it was all the P’s that brought it to mind."

READ THE POST.

Waiting For Potter

To those of you, like me, who are eagerly anticipating the latest in the Harry Potter series by J. K. Rowling (to be titled Harry Potter and the Half-Blood Prince and released on July 16), you can find all the latest Potter updates at The Leaky Cauldron.

As an aside: Am I the only Potter fan who thinks it would have been better in keeping with the series to date to have titled the book The Mudblood Prince? I wonder why mudblood, the epithet used for wizards of mixed ancestry, was changed to half-blood. I really hope it wasn’t political correctness.

To those of you, unlike me, who are unsure of the Potter phenomenon, I recommend reading John Granger’s Looking for God in Harry Potter. You can also visit Granger’s website HogwartsProfessor.com. Also, fellow JA.org blogger Steven D. Greydanus has an article on Potter, which you can read here (the editorial sidebar to Greydanus’s article can be read here).