Introducing Bennifer

Bennifer

On the off-chance that any of you follow our national reality soap opera As Tinseltown Turns, JimmyAkin.org can save you the outlay on next week’s People magazine. (Or, if you’d rather start up another Hollywood marriage betting pool, we’ll give you the scoop you need for that, too.) The couple known as Bennifer — Ben Affleck and Jennifer Garner, not Ben Affleck and Jennifer Lopez, in case your People subscription lapsed recently — have married:

"Jennifer Garner has gone where no woman has gone before — down the aisle with Ben Affleck.

"The twosome, who are expecting their first child together this fall, exchanged vows Wednesday at the Parrot Cay resort in the Caribbean islands of Turks and Caicos.

"’They’re married and they’re expecting their first child,’ the newlweds’ reps, Ken Sunshine and Nicole King, said in a sparse but official statement.

"The surprise nuptials were attended by Garner’s Alias costar, Victor Garber, who looked on as the white-clad bride kissed her new husband following a sunset ceremony, per the National Enquirer."

GET THE STORY.

Congratulations, many happy returns, stay together ’til death parts you, and all that.

Now. Will someone please tell me why this news deserved up-to-the-minute front-page coverage at Yahoo? I haven’t looked around at other news sites, but it wouldn’t surprise me if there were breathless newsflashes up on those sites too. And another question: Why is this country so shallow that we must entertain ourselves through voyeuristic peeks into the private lives of people who are paid outrageous sums of money to pretend to be other people for a living?

The Freakanomics of Tinseltown…. Now that would be an interesting economic analysis.

RedState Sees Red

RedState.Org recently ran three book reviews of Thomas Woods’ How the Catholic Church Built Western Civilization. I haven’t read the book, so I can’t comment on it, but I have read the three book reviews, and I can comment on them. Each had serious flaws, but the first was of truly notable merit. Let’s read . . . .

JOSH TREVINO:

"How the Catholic Church Built Western Civilization," by Thomas Woods, PhD, is a book masquerading as a necessary corrective that reveals itself as an inadequate one; and a serious work of history marred by some deeply unserious historiography. By which I mean that I disagree with it theologically. The author’s stated intent is to counter much of the calumny which has befallen the institution of Catholicism in the modern era — specifically the calumny that it is and has always been an anti-modernist, anti-science, anti-humanist force — and in this, his approach makes the fatal errors of answering the critics on their own terms, and adopting Catholic historical prejudice to a degree that weakens his broader argument. Allow me to smear Catholics up front by referring univocally to "Catholic historical prejudice." I’m still an unbiased arbiter of history, myself, though.

It is the latter flaw that we turn to first. Those familiar with Church history know that <scare quotes>"Catholicism"</scare quotes> as we understand it was a concept that emerged in nascent form only with the progressive divergence of the Greek and Latin Churches between the 11th and 15th centuries; the Catholic Church as we know it in the modern era did not emerge until roughly the 16th century.

When I refer to Catholicism as "we" know it, the "we" in question is, of course, myself and my cat, Tibbles. Tibbles is an expert on such matters and assures me that the word "Catholic" wasn’t even used until roughly the sixteenth century. There was no consciousness of the Catholic Church as a distinct institution prior to that time. In fact, Tibbles’ papyrological studies have revealed that the quotations attributed to St. Augustine in the fourth century displaying a clear institutional awareness of the Catholic Church in contrast to other churches are, in fact, forgeries salted into the historical record by tricky papists.

The same goes for all the other evidence for the existence of the institution today called "the Catholic Church" prior to the sixteenth century. The Protestant Reformers may have thought that they were protesting against an institution known as "the Catholic Church" that had been around for centuries, but in fact it had only been in existence for a few weeks, following an extensive salting campaign undertaken as part of a hoax stemming from a college fraternity’s hazing rite. Please see Tibbles’ doctoral disseration for the references.

This latter Church development, mostly codified in the Council of Trent, came about as the Church defined itself against a Protestant Reformation. When I say "codified," I mean "made up out of thin air" rather than "confirming what was already in existence, against which Protestants were protesting." which Protestantism emerged as something rather different from, and more lasting than, previous anti-hierarchical rebellions such as Arianism, Donatism, and the Cathar and Hussite movements. By "anti-hierarchical" I don’t mean "against hierarchy," for each of these groups had bishops.

So, when we–Tibbles and I–speak of Catholicism as understood as that Christian church led by the Pope in Rome and governed by his clerical and bureaucratic apparatus, we are certainly not speaking of the historical Church from the time of St Peter to the modern day. For there were no popes in Rome prior to roughly the sixteenth century, nor did they have any clerics associated with them nor any bureaucratic apparatus. Tibbles has shown that all the alleged "records" of such individuals are fake.

 NSurprisingly, none of this seems to matter to Wood. It is as if he is completely unaware of Tibbles’ brilliant work in this area. The great accomplishments of the fourth through eleventh centuries, when the Church — and specifically the monastic communities — essentially alone preserved the civilizational heritage of antiquity, are presented as specifically Catholic accomplishments. The nerve! It is as if Woods really believes the records purporting to show that the monastic communities of the fourth through the eleventh centuries regarded themselves as Catholic institutions!

This is fundamentally inaccurate on several counts, most notably in that much of the preservation of the Roman and Greek corpus took place in imperial Constantinople, certainly never a location within the orbit of the Bishop of Rome. Yes, Constantinople was never within the "orbit" of the Bishop of Rome. Not even before the East-West Schism, when the Rome and Constantinople were in communion and councils like the First Council of Constantinople (A.D. 381) were saying things like: "The Bishop of Constantinople, however, shall have the prerogative of honour after the Bishop of Rome; because Constantinople is New Rome" (canon 3).

(Excepting, of course, a rather regrettable sixty years or so beginning 1204, which Woods sensibly omits as an accomplishment of the Catholic Church since it would harm my case.) Indeed, following the Fall of Constantinople to the Muslims in 1453, the arrival of these preserved manuscripts in the baggage of Greek refugees was a major spur to the Renaissance in Italy. See! The fact that post-schism Byzantines preserved manuscripts important to Western civilization ipso facto disproves the idea that the Catholic Church had anything to do with it!

The reality is that the preservation of civilization in Europe during the Dark Ages and medieval era, while creditable to Christianity at large, was not exclusively, nor even mostly, the doing of the Pope or a Catholicism that did not then exist. By way of parallel, it is wrong to credit to the United States the spread of democracy in the world during an age of monarchy, beginning with the American Revolution. The U.S. as Tibbles and I know it today did not exist in 1776 for there were only thirteen states at the time, its people spoke a now archaic form of English, and they were far less democratic than we are. It was only with the Warren Court that what we now call "America" became truly democratic, and thus it is a category mistake to attribute any democratizing influence in the world to an America that did not then exist.

When "we" speak of America, we mean America since the Warren Court, just as when "we" speak of the Catholic Church, we mean the Catholic Church since the sixteenth century. Tibbles and I are entitled to do this since, as Humpy Dumpty told Alice, "When I use a word . . . it means just what I choose it to mean–neither more nor less."

In certain tea parties that Tibbles and I frequent in modern-day Christian Orthodoxy there is a certain (misguided, to my mind) nostalgia for "Western Orthodoxy," which is defined as the Latin or "Western" rites as they existed prior to the late-medieval split between Constantinople and Rome. According to this thesis, prior to that, all Christendom was "Orthodox," and hence we can discuss St Patrick of Ireland, for example, as an Orthodox saint. While there is theological validity to this, it is a dishonest reading of history. Historical dishonesty thus can be theologically valid. — St Patrick almost certainly never looked to the Constantinopolitan Patriarch for guidance, for example — and it is also an misleading interpretation of cultural heritage, for nobody should be allowed to take pride in anything that the West has ever done. Westerners must only execrate their ancestors and laud the glories of Byzantium.

The consequent establishment of "Western Orthodox" parishes in the United States and Britain, which utilize various forms of liturgy extant in the churches of the era of the Venerable Bede, is based upon this false appropriation. Westerners must repudiate all of their own liturgical heritage and adhere strictly to the one, true form of liturgy as practiced in  Constantinople, "where also their Lord was crucified."

Woods is guilty of precisely this same error from the Catholic side: his interpretation of history, and specifically his presentation of Catholicism through the medieval era, leads inevitably — though he shrinks from making this point explicit — to the concept of a pre-split "Catholic Greece," among other things. I mean, just because both East and West regarded themselves as being part of one Church prior to the split, and just because that Church was commonly called the "Catholic" Church in that age, and just because it had the bishop of Rome as its foremost bishop according to the First Council of Constantinople (among others), that in no way allows a Catholic to lay any kind of claim to the heritage of this age!

It ill-befits any person from any Christian tradition to posit such a <adjectival meltdown>thinly-defensible, revisionist, and ahistorically exclusionist</adjectival meltdown> interpretation of Church history. By which I mean: I disagree with Woods theologically. I hold it as a theological truth that the Church before the split was Orthodox rather than Catholic. Woods therefore must be wrong historically. If the evidence is against me, so be it. As I’ve already established, historical dishonesty can be theologically valid.

Now, let me be up-front and state that I am coming at this from an Orthodox perspective. Yes! Disclosing one’s point of view half-way through a piece is being "up front" about it! I hope, though, that the reader finds that the argument against this manner of historiography stands on its own.

The second major flaw in Woods’ book stems from the first. <syntactical meltdown>In claiming all things for Catholicism, and in concurrently expanding Catholicism to claim those things he wishes to claim, he of necessity does so according to that which he wishes to refute.</syntactical meltdown> Woods finds the charge that the Church is a retarding force in the development of modern civilization — specifically modern science, which seizes his attention, and hence his book, to a great degree — to be one that eminently deserves answering. All of which is just to say: He wants to show that the Catholic Church isn’t anti-science.

His implicit acceptance of the equating of science with civilization (I have to say "implicit" acceptance because if I didn’t then he’d protest that he hasn’t equated science with civilization and that I am setting up a straw man), and his explicit acceptance that the Church may be justified on these terms (whatever that means), are both profoundly wrong.

This is not the place to examine in full the contention that science is an independent, self-justifying value (since Woods presumably didn’t claim this), or the contention that science is itself an independent, self-justifying indicator of civilization (which Woods presumably also didn’t claim). It is enough to say that the Catholic Church and Christianity at large reject both these views. They are thus irrelevant to the matter at hand. I only mention them so I can dazzle the reader with my sparkling philosophical prose.

Modern Catholicism quite laudably espouses the position that, as a Catholic priest from my own childhood explained, "Good science and good faith do not conflict." This begs the question of what constitutes "good science." Certainly there is quite a lot of bad science: the Dachau hypothermia experiments, the eugenics movement, and the Tuskegee experiments are only the tip of that iceberg. Particularly in an era where science is pushing the frontiers of human control — although not human wisdom — ever further, it is the Church that has frequently been the loudest voice in reminding society that knowledge is not an end in itself, and that its application is not inherently useful, wise or right. In a faith the holy text of which begins with an allegory of unwise knowledge and its consequences, this is in keeping with its most ancient intellectual traditions. That they are still applicable and cautionary thousands of years after that allegory’s first telling is a testament to the enduring nature of man and his folly.

One searches in vain for this recognition in Woods’ book. Instead, we are treated to a proud catalogue of mostly monastic and Jesuit accomplishments in science and technology. How dare Woods try to prove that the Church isn’t anti-science without mentioning my personal hobby-horse on the subject! Tibbles is outraged and spitting up hairballs!

These in themselves are good things inasmuch as they demonstrate that the Church is not a wholly malign force in the temporal world, pace the attacks of its critics. But Woods appears to forget that the Church is not justified by those things. This is a subtle point. When I first read Woods, I missed it, thinking that he was merely conducting a negative apologia–showing that the charge of the Church being anti-science is false. But Tibbles’ careful reading of the text revealed that Woods was actually doing a positive apologia, claiming that people ought to be Catholic because of how much good science the Church has done! He thus forgets that the Church is not justified by how much good science it’s done!

iIndeed, from the standpoint of the believer, the Church in the world is justified by the simple act of belief and the promulgation of the worship of Christ. All those miracles and fulfilled prophecies that Jesus and St. Paul so keen about were just a waste of time. To justify it on any other terms — say, a clever tenth-century Benedictine integration of waterwheels and trip-hammers, or a useful seventeenth-century Jesuit advance in lens-grinding — is to implicitly accede to the secularist contention that it is material betterment that is the bellwether of human progress, and the moral justifier of institutions. In this, the Church in the modern era will lose, and lose badly: no local parish is the equal of the supermarket in the provision of bread to the masses; no bishop alive has utilized waterpower so well as does the Tennessee Valley Authority.

Why, then, does Woods keep telling us that we ought to be Catholic because it will give us technological doo-dads and material prosperity? I mean, I haven’t seen this kind of pro-technology apologetic for Catholicism since John Paul II wrote his most recent encyclical on the virtues of consumerism and the sacramental character of shopping at Best Buy!

Useful social advancement based upon the rational satisfaction of material needs is, of course, the basis of the domestication of dogs, just as the law of gravitation operating between bodies that have mass in the Einsteinan space-time continuum is, of course, the basis of why a domesticated dog will drop to the ground if you suddently disintegrate his legs. It is not what distinguishes nor what "built Western Civilization," nor, one hopes, is it the purpose of man on earth. Not that Woods said it was those things. I’m just showing off my sparklingly intellectual prose again.

It is that transcendent need to define and achieve that purpose–i.e., the purpose of man on earth–that the Church, and religion in general, presumably seeks to fulfill; and if it is to be justified, it must be on those terms. It is the task of the Church’s apologists to do so, and to argue that that transcendence has not lost an iota of its relevance in our era. Tibbles therefore decrees that it is superfluous and counter-productive for a person to write a book on the Catholic Church’s role in the building of Western Civilization. The only books that should be written are those showing the value of transcendence in the world today!

Thomas Woods shows how well the Catholic Church, as defined by him and most of mankind, has delivered on those material needs for millennia. Fine, say the critics he attempts to refute: can we not accomplish this today by means of a government program without this Jesus baggage? There is no good answer to this question in this book since it was not a book about proposed government programs. Since it is the crucial question of the modern age, it is an omission that reduces Woods’ work from a serious apologia to a collection of trivia–a charge that can be equally leveled against any book published today that is not an apologia based on the value of transcendance in modern society contra irreligious government programs. That’s the only kind of book that counts!
 

I therefore fault the book because the author chose to write on a theme not to my liking.

Tibbles, feeling generous, gives it one hairball out of a possible five.

SOURCE.

READ WOODS’ BOOK FOR YOURSELF.

Saddam Hussein: Novelist?

Captxdg13807011948iraq_saddam_xdg138It appears that Saddam Hussein (pictured left doing his Kevin McCarthy impression) may not only be guilty of crimes against humanity but also of crimes against the humanities!

Turns out he’s a novelist.

He’s already inflicted three novels on the world (published anonymously):

"Zabibah and the King" tells a story of a leader who sacrifices a luxurious life for the sake of his people.


"The Fortified Citadel" described the rise to power of Saddam’s Baath Party.


"Men and a City" is widely viewed as a thinly veiled autobiography, presenting him as powerful and heroic.

Now he has a new novel scheduled to come out. Unsurprisingly, it’s a religiously inflammatory geopolitical allegory:

"Get Out, Damned One" tells the story of a man called Ezekiel who
plots to overthrow a town’s sheik but is defeated in his quest by the
sheik’s daughter and an Arab warrior.

The story is apparently a metaphor for a Zionist-Christian plot
against Arabs and Muslims. Ezekiel is meant to symbolize the Jews.

Interestingly . . .

"Get Out, Damned One" describes an Arab leading an army that invades the land of the enemy and topples one of their monumental towers, an apparent reference to the Sept. 11, 2001, attack on the World Trade Center in New York by Islamic militants of
Osama bin Laden’s terrorist network.


Ezekiel [a Jewish symbol] is portrayed as greedy, ambitious and destructive. Youssef, who symbolizes the Christians, is portrayed as generous and tolerant — at least in the early passages.

GET THE "STORY."

Top 100 Movie Quotes?

Frankly_my_dearThe American Film Institute has released a list of what it considers the top 100 movie quotes of all time.

As you may guess from the image on the left, the #1 line was Gone With The Wind‘s "Frankly, my dear, I don’t give a damn."

To compile the list the AFI asked 1500 "leaders from the creative community, including film artists (directors,
screenwriters, actors, editors, cinematographers), critics and
historians." The "leaders" voted their favorites of a list of 400 nominated quotes.

The film with the most quotes was Casablanca, with 7 quotes, followed by The Wizard Of Oz, which had six.

I agree with most of the entries on the list (not necessarily the order they’re in, but their presence). Some, I don’t. For example, I don’t agree with Moonstruck‘s "Snap out of it!" It seems to me that for something to qualify as a movie quote, it needs to be something that people weren’t saying to each other All The Time before the movie came out. Folks have been saying "Snap out of it!" for far too long (and even in movies before Moonstruck).

GET THE LIST.

I definitely agree with Patrick over at Southern Appeal, though:

My reaction: What no quotes from The Princess Bride, the most quotable movie of all time?

No quotes from The Princess Bride????

<lisp>Inconceivable!!!!</lisp>

Geeking-Out Vs. Vegging-Out

The NYT has some interesting analysis of how movies have changed in the last number of years, using the Star Wars franchise as an example.

EXCERPTS:

[V]ery little of the new film [Episode III] makes sense, taken as a freestanding narrative. What’s interesting about this is how little it matters. Millions of people are happily spending their money to watch a movie they don’t understand. What gives?

Modern English has given us two terms we need to explain this phenomenon: "geeking out" and "vegging out." To geek out on something means to immerse yourself in its details to an extent that is distinctly abnormal – and to have a good time doing it. To veg out, by contrast, means to enter a passive state and allow sounds and images to wash over you without troubling yourself too much about what it all means.

The first "Star Wars" movie 28 years ago was distinguished by healthy interplay between veg and geek scenes. In the climactic sequence, where rebel fighters attacked the Death Star, we repeatedly cut away from the dogfights and strafing runs – the purest kind of vegging-out material – to hushed command bunkers where people stood around pondering computer displays, geeking out on the strategic progress of the battle.

All such content – as well as the long, beautiful, uncluttered shots of desert, sky, jungle and mountain that filled the early episodes – was banished in the first of the prequels ("Episode I: The Phantom Menace," 1999). In the 16 years that separated it from the initial trilogy, a new universe of ancillary media had come into existence. These had made it possible to take the geek material offline so that the movies could consist of pure, uncut veg-out content, steeped in day-care-center ambience. These newer films don’t even pretend to tell the whole story; they are akin to PowerPoint presentations that summarize the main bullet points from a much more comprehensive body of work developed by and for a geek subculture.

The author then suggests that America may be in danger because it’s national culture is becoming dominated by a veg-out attitude that wants to enjoy life rather than digging into the geek-oriented details needed to sustain the good life.

GET THE STORY.

(CHT to the reader who e-mailed!)

The Da Vinci Hunt

The hunt is on for a long-lost masterpiece by the Renaissance master Leonardo DaVinci:

"’Cerca, trova’ — seek and you shall find — says a tantalizing five-century-old message painted on a fresco in the council hall of Florence’s Palazzo Vecchio.

"Researchers now believe these cryptic words could be a clue to the location of a long-lost Leonardo Da Vinci painting and are pressing local authorities to allow them to search for the masterpiece of Renaissance art.

"Maurizio Seracini, an Italian art researcher, first noticed the message during a survey of the hall 30 years ago, but his team lacked the technology then to see what lay behind Giorgio Vasari’s 16th-century fresco, ‘Battle of Marciano in the Chiana Valley.’

"However, radar and X-ray scans conducted between 2002 and 2003 have detected a cavity behind the section of wall the message was painted on, which Seracini believes may conceal Leonardo’s unfinished mural painting, the ‘Battle of Anghiari.’"

GET THE STORY.

No word yet on whether Dan Brown’s intrepid symbologist and code-cracker Robert Langdon will be called in to consult on the case. But given the confidence put into Langdon’s expertise by the mainstream media, such as Primetime Live and Good Morning America, I’m sure it’s only a matter of time before the professor will be tapped.

</Irony>

Evil Overlord Update

A piece back I blogged about

THE EVIL OVERLORD LIST.

In case you missed it, it’s a list of resolutions that you should keep should you ever become an evil overlord. Things like:

  1. My Legions of Terror will have helmets with clear plexiglass visors, not face-concealing ones.
  2. My ventilation ducts will be too small to crawl through.
  3. My noble half-brother whose throne I usurped will be killed, not kept anonymously imprisoned in a forgotten cell of my dungeon.
  4. Shooting is not too good for my enemies.

This weekend I was watching some sci-fi, and it bought to mind a couple of new points for the evil overlord list. I therefore propose the following resolutions:

  • My Robotic Legion of Terror (and my Synthetic Vampire Army and anything similar) will not have its command and control so centralized that by blowing up a single ship (or killing the initial vampire) one can disable the whole of the fighting force.
  • If I develop a new poison or create a tailor-made diseased designed to kill only my enemies, I will not spend lots of resources developing an antidote for it before deploying it. I will wipe my enemies out while there is still no possible cure in existence for what I plan to inflict on them.
  • I will not attempt to satisfy my honor by accepting challenges to duels or other ritualized forms of "to the death" combat with my enemies. My honor will be perfectly satisfied if I just shoot them and get it over with.

Add your own evil overlord resolutions in the combox!

Moviegoers to Hollywood: Make better movies!

The last three or four months have seen a remarkable sign of box-office slump: For sixteen consecutive weeks, domestic weekend box-office receipts have been lower than the corresponding weekends from the previous year, 2004. Added: That’s one week away from the record 17-week recession set in 1985 — "one box office record we don’t want," Exhibitor Relations chief Paul Dergarabedian commented this week.

It’s not just that ticket sales are down — that’s been happening for at least three years. But because ticket prices continue to climb, Hollywood seldom takes in less  money each week on a year-over-year basis for more than two or three weeks in a row. (For example, during the same 16-week period in 2004, the weekend box office never dipped below 2003 levels for more than two consecutive weeks. Of course, as a friend of mine observed, the early part of last year might have been unusually strong due to the lingering effects of The Return of the King and the powerhouse presence of The Passion of the Christ.)

In any case, in the last 16 weeks not even the release of a the third and final Star Wars prequel could boost the box office to the levels it enjoyed a year ago. Nor could media blitzes, drummed-up controversies, or big names like Ron Howard, Russell Crowe, Adam Sandler, and Ridley Scott, Orlando Bloom pump movies like Cinderella Man, The Longest Yard, and Kingdom of Heaven to box-office success.

Hollywood execs, of course, are scrambling to point to all kinds of factors, from the continuing rise of DVDs and Internet use. But a few bold voices are wondering whether the problem isn’t the movies themselves. Amy Pascal, chairwoman of Sony Pictures Entertainment’s motion picture group, has a startling suggestion for Hollywood: Try making better films.

"We can give ourselves every excuse for people not showing up – change in population, the demographic, sequels, this and that," she said. "But people just want better movies."

Better movies. What a concept. Mrs. Pascal’s suggestion may not be the most popular advice in Hollywood — but it sounds pretty good to Paul Dergarabedian, who actually puts a positive spin on this view of things:

"It is much more chilling if there is a cultural shift in people staying away from movies… Quality is a fixable problem."

BatmanbeginsThe reason I’m mentioning this now is that this week a movie opens that could turn around the box-office slump… and certainly deserves to. Batman Begins is the best Hollywood studio film of the year so far, in addition to being one of the best super-hero movies of all time, and easily the best Batman movie ever.

Considering the years of trouble Warner Bros had even getting this picture made, what with directors, scripts and stars coming and going on a regular basis, it’s amazing that it turned out so well. In the end, they did everything right: Instead of a schlockmeister director like like Joel Schumacher (Batman Forever, Batman and Robin), they got a gifted filmmaker, Christopher Nolan (Memento, Insomnia); instead of casting a marquee name like George Clooney or Val Kilmer, they cast talented, brooding Christian Bale. And instead of making the villains the real stars of the film, they made the hero the star.

What’s more, the film has real-world relevance. The bad guys are a crypto-organization that wants to wage war on human decadence — but their methods include decapitating prisoners, instilling terror, and unleashing weapons of mass destruction on large metropolitan areas. Hm, sound familiar? 

It’s a terrific film, though some viewers, critics and otherwise, would apparently prefer a return to the first two Tim Burton films, and don’t know what to make of a story in which Batman’s parents were killed by somebody other than the Joker, or where the film is more interested in character development and moral themes than colorful villains, big explosions, and campy dialogue.

One caveat: If you decide to go see Batman Begins this weekend, don’t bring the kids. It’s way too dark and scary for young viewers (a mature 10 or 12 would be the cutoff in my book).

My Batman Begins review

Added: Will Batman rescue the box office? Get the story.

Other stories on the box office slump:  one | two

One For The Parents

A reader writes:

I was wondering if you could suggest any books or articles that might help my staunchly Presbyterian (and seriously anti-Catholic) parents better understand my and my husband’s decision to leave the Episcopal Church for the Mother Church?  (To quote my mother, “Y’all are already almost Catholic anyway!”   Ha! I wish.)

I’d probably recommend the book

SURPRISED BY TRUTH

It’s a book of theologically-oriented conversion stories with a number of contributors (myself included) coming from a Presbyterian background. It thus might help them understand the move.

I encourage other folks to made additional recommendations in the combox (though I may delete ones I disagree with for whatever reason).

USE THIS LINK TO FIND THEM ON AMAZON

Diff'rent Folks

Who would you think of if asked for a name of Greatest Child Star Ever? Wouldn’t you automatically think of those child stars who have made something of their lives, transitioning from the difficulties of child fame to make their mark as adults? Apparently, becoming a well-adjusted adult is not a requirement for being considered Greatest Child Star Ever:

"VH1 has named Gary Coleman No. 1 on its list of the top 100 child stars ever. Home Alone star Macaulay Culkin was second, and the Olsen twins were third.

"Coleman, now 37, was the precocious star of the hit sitcom Diff’rent Strokes, which ran from 1978-86. Coleman played Arnold, who along with his older brother Willis (Todd Bridges) moves from Harlem to live with an affluent white family in Manhattan.

"In 2003 Coleman joined 134 other candidates to run for governor of California. Arnold Schwarzenegger successfully replaced the recalled Gov. Gray Davis, but Coleman got a few more minutes in the spotlight.

"’This is really interesting and cool and I’ve been enjoying the heck out of it because I get to be intelligent, which is something I don’t get to do very often,’ the 4-foot-8 actor said then."

GET THE STORY.

Coleman doesn’t get to be intelligent very often? Poor man.

Director-actors Ron Howard and Jodie Foster did manage to hit the top ten. But the article didn’t even mention Shirley Temple Black, possibly the iconic child movie star and a woman who made her mark not only in acting but also in the U.S. Foreign Service as an ambassador to Ghana and to Czechoslovakia.

‘Course, that’s small potatoes compared to running for governor of California in a come-one, come-all special election open to anyone with $3,500 and 65 signatures.