Here's A Howdy-Doo!

Stone_darthLEIA: I love you!

HAN: I know.

Vader gives the order, and Han Solo begins to be lowered into a steaming pit of carbonite.

Then, using a lockpick device secreted in his belt, Han frees himself from the table-thingie he is strapped to and springs toward Lord Vader.

Vader, taken totally by surprise, loses his balance and falls into the pit of carbonite.

The result may be seen to the left.

NOT!

This here is actually a close-up of the Vader head on the Washington National Cathedral that TimJ told us about.

Got the picture off the sculptor’s site.

LEARN MORE.

Here’s A Howdy-Doo!

Stone_darthLEIA: I love you!

HAN: I know.

Vader gives the order, and Han Solo begins to be lowered into a steaming pit of carbonite.

Then, using a lockpick device secreted in his belt, Han frees himself from the table-thingie he is strapped to and springs toward Lord Vader.

Vader, taken totally by surprise, loses his balance and falls into the pit of carbonite.

The result may be seen to the left.

NOT!

This here is actually a close-up of the Vader head on the Washington National Cathedral that TimJ told us about.

Got the picture off the sculptor’s site.

LEARN MORE.

Blogs Not That Great, Study Finds

A new study by the Pew Internet & American Life Project has found that Blogs are no big deal.

Charting the discussion of issues during the 2004 presidential campaign, the study found political blogs — online opinion and information sites — played a similar, but not greater role, as the mainstream media in "creating buzz" around the candidates’ campaigns.

The study dispels the notion that blogs are replacing traditional media as the public’s primary source of information, said Michael Cornfield, a senior research consultant at Pew.

The headline of the article trumpeted "Study: Blogs haven’t totally displaced media yet" (okay, words in red are mine). Only in the funhouse-mirror world of the MSM would the admission that your influence has been cut effectively in half be a cause for celebration.

Remember in the first Rocky movie, how Rocky and Apollo Creed fought to a split decision? Afterward, do you remember Apollo jumping up and down in relief and shouting "Yay! I fought a totally inexperienced newcomer to a near-draw!! Who da man?" – No, you do not. Because he was too busy trying to decide whether he should feel more "stunned" or "humiliated".

The spin, just in the headline, is dizzying. I don’t know much about the Pew Internet & American Life Project, except that the Pew Charitable Trusts are a big supporter of NPR. The story came from CNN.com via Reuters.

Unbroken!–Live

Like most folks, I s’ppose, I listen to albums (yes, I still call them "albums") over and over again, learning every note of the songs (if not every line of the lyrics).

Every so often, tho, I start hankering for a new album to inject into my mental, musical universe.

Unfortunately, I’m kinder picky. Not everything tickles my fancy. Even in genres I know and love, I don’t like a lot of what I hear. I imagine that’s the same for everybody.

But every so often I encounter a "breakout" album–something that, after hearing it a few times (or even just once) I totally get into.

On my recent trip to Kentucky, I encountered such a breakout album, titled Unbroken!–Live by the Nitty Gritty Dirt Band.

I’ve been a fan of the Dirt Band for some time, but I’d never heard the side of them that’s presented on this album before. Up to now, I’ve been listening to their own studio albums (like Symphonion Dream) or their multi-way collaborations (like the different volumes of Will the Circle Be Unbroken), but I’d never heard a recording of one of their live shows.

Unbroken!–Live gave me that chance. The album is a 2-CD recording of a performance they gave at Doc Severinsen’s Showplace in OKC way back in 1984 (despite the fact the album was only released in 2003).

WHAT A TREAT!

The Dirt Band’s stage presence is amazing. These guys Know What They’re Doing. There is a huge amount of technical skill that they put into the performance, a wonderful selection of tunes, a great deal of showmanship, and a surprising amount of humor (a.k.a., "humour" for our friends over The Pond).

Now, any time a buncha technically-proficient guys get together with electric guitars, banjos, fiddles, and harmonicas to deliver hard-drivin’, toe-tappin’, foot-stompin’ upbeat music, I’m all up for that, but this performance was something really special.

The genre selection includes classics from Rock, Surf Music, Rockabilly, Bluegrass, Country, and Cajun, as well as intriguing, little-known tunes that you probably haven’t encountered before.

I was impressed by the way the band handled the introductions to some of these. To introduce certain songs they’d play an altered version of the melody that wasn’t immediately recognizable until, in a moment of recognition, it suddenly clicked into place what they were playing.

This was done particularly effectively in the build up to the Cajun classic "Diggy Diggy Lo," in which an unrecognizable version is played while the artists gave a patter introduction to the song, explaining that it is the song of two bayou lovers who fell in love for life. You have no idea what they’re building to until the speaker announces that these two lovers are known by "two mystical names." As soon as he identifies the first mystical name as "Diggy Diggy La" you immediately know what the song is going to be (assuming that you know "Diggy Diggy Lo"), the crowd cheers, and they kick right into it.

This kind of slow-reveal ain’t the only expression of showmanship that the band displays. As noted, there’s a lot of humor. This includes both comments they make to the audience and even some of the songs themselves. For example, they have a filk of "Help Me Make It Through The Night" re-written as "Help Me Make It Through The Yard" (the story of a guy crawling home after an all-night bender).

The guys in the band are clearly having fun on stage, and their personalities are much more in evidence than on a studio album. You get a much clearer sense of bandmembers as individuals as they make comments to each other during the songs and call each other by name as they throw different solos to each other ("Look out, Johnny! Play the fiddle!"), mix up who sings what verses ("Talk to me, Jimmy!"), make notes on what they’re about to sing ("I like this part!"), and report problems ("I don’t know how to get out of this!"–though they manage to do so flawlessly anyway).

The band is joined on stage by a couple of guest stars from a group called Doc’s Outlaws (connected to the place they were playing), and one of the guests (Rusty Allen) displays particular showmanship, using his role as lead singer on a couple of songs (notably the Bluegrass standard "Way Downtown") to set-up solos ("Toot that harp!"), ask for more ("Take two, they’re small!"), and speak of the amazing technical prowess we’ve just heard as if it were the product of a child prodigy ("Only thirty-five years old!").

The album also features a number of medleys (I wish they’d put CD track breaks between songs on these!) that are very successful. One starts with crowd-pleasing Rock classic "Runaway," moves to an awesome version of Rockabilly classic "Rave On," then into Rock standard "The Weight" ("Pulled into Nazareth…"), and finally into the band’s signature song, Country classic "Will the Circle Be Unbroken?"–a pro-faith song about wanting your whole family to go to

heaven. This time the song is delivered with a more upbeat tone than

I’ve heard them do it before, though it’s more raw and has less polish

than on a studio album.

Of course, on any live concert recording, there are imperfections. The mics aren’t positioned in the best way to catch crowd reaction (so you can’t really hear it when the audience is invited to sing along–an engaging asset to showmanship in a live performance but hard to pull off on an album). There are also a couple of mild bad words in one song ("Bowlegs") and another word in a second song ("The Battle of New Orleans") that counts as bad if you live in England, but in the digital era, you can easily make sure that your iPod never plays these songs for you if you don’t want.

There are also songs that contribute positive moral content, such as "Dance, Little Jean," which is a strong statement of the value of marriage, despite the difficulties it involves.

A special tune is the song "The House on Pooh Corner"–a celebration of childhood portrayed through the lens of Winnie the Pooh.

Another pro-morality song is "Face on the Cutting-Room Floor," which is about a talented young actress who goes to Hollywood to make it big. But when she discovers the moral price that must be paid for such success, it’s

Goodbye, Hol-ly-wood!
She’s leaving tonight, on a 2:30 ‘Hound–
sunrise on Sunset, she won’t be around.

(I like that part!)

All in all, it was a real treat to discover this album. Listening to it makes we wish three things: (1) I wish I could play like these guys! (2) I wish I could have seen them in concert night (or any night), and (3) I WANT the Song-Longer!

GET THE ALBUM!

Unbroken!–Live

UnbrokenliveLike most folks, I s’ppose, I listen to albums (yes, I still call them "albums") over and over again, learning every note of the songs (if not every line of the lyrics).

Every so often, tho, I start hankering for a new album to inject into my mental, musical universe.

Unfortunately, I’m kinder picky. Not everything tickles my fancy. Even in genres I know and love, I don’t like a lot of what I hear. I imagine that’s the same for everybody.

But every so often I encounter a "breakout" album–something that, after hearing it a few times (or even just once) I totally get into.

On my recent trip to Kentucky, I encountered such a breakout album, titled Unbroken!–Live by the Nitty Gritty Dirt Band.

I’ve been a fan of the Dirt Band for some time, but I’d never heard the side of them that’s presented on this album before. Up to now, I’ve been listening to their own studio albums (like Symphonion Dream) or their multi-way collaborations (like the different volumes of Will the Circle Be Unbroken), but I’d never heard a recording of one of their live shows.

Unbroken!–Live gave me that chance. The album is a 2-CD recording of a performance they gave at Doc Severinsen’s Showplace in OKC way back in 1984 (despite the fact the album was only released in 2003).

WHAT A TREAT!

The Dirt Band’s stage presence is amazing. These guys Know What They’re Doing. There is a huge amount of technical skill that they put into the performance, a wonderful selection of tunes, a great deal of showmanship, and a surprising amount of humor (a.k.a., "humour" for our friends over The Pond).

Now, any time a buncha technically-proficient guys get together with electric guitars, banjos, fiddles, and harmonicas to deliver hard-drivin’, toe-tappin’, foot-stompin’ upbeat music, I’m all up for that, but this performance was something really special.

The genre selection includes classics from Rock, Surf Music, Rockabilly, Bluegrass, Country, and Cajun, as well as intriguing, little-known tunes that you probably haven’t encountered before.

I was impressed by the way the band handled the introductions to some of these. To introduce certain songs they’d play an altered version of the melody that wasn’t immediately recognizable until, in a moment of recognition, it suddenly clicked into place what they were playing.

This was done particularly effectively in the build up to the Cajun classic "Diggy Diggy Lo," in which an unrecognizable version is played while the artists gave a patter introduction to the song, explaining that it is the song of two bayou lovers who fell in love for life. You have no idea what they’re building to until the speaker announces that these two lovers are known by "two mystical names." As soon as he identifies the first mystical name as "Diggy Diggy La" you immediately know what the song is going to be (assuming that you know "Diggy Diggy Lo"), the crowd cheers, and they kick right into it.

This kind of slow-reveal ain’t the only expression of showmanship that the band displays. As noted, there’s a lot of humor. This includes both comments they make to the audience and even some of the songs themselves. For example, they have a filk of "Help Me Make It Through The Night" re-written as "Help Me Make It Through The Yard" (the story of a guy crawling home after an all-night bender).

The guys in the band are clearly having fun on stage, and their personalities are much more in evidence than on a studio album. You get a much clearer sense of bandmembers as individuals as they make comments to each other during the songs and call each other by name as they throw different solos to each other ("Look out, Johnny! Play the fiddle!"), mix up who sings what verses ("Talk to me, Jimmy!"), make notes on what they’re about to sing ("I like this part!"), and report problems ("I don’t know how to get out of this!"–though they manage to do so flawlessly anyway).

The band is joined on stage by a couple of guest stars from a group called Doc’s Outlaws (connected to the place they were playing), and one of the guests (Rusty Allen) displays particular showmanship, using his role as lead singer on a couple of songs (notably the Bluegrass standard "Way Downtown") to set-up solos ("Toot that harp!"), ask for more ("Take two, they’re small!"), and speak of the amazing technical prowess we’ve just heard as if it were the product of a child prodigy ("Only thirty-five years old!").

The album also features a number of medleys (I wish they’d put CD track breaks between songs on these!) that are very successful. One starts with crowd-pleasing Rock classic "Runaway," moves to an awesome version of Rockabilly classic "Rave On," then into Rock standard "The Weight" ("Pulled into Nazareth…"), and finally into the band’s signature song, Country classic "Will the Circle Be Unbroken?"–a pro-faith song about wanting your whole family to go to
heaven. This time the song is delivered with a more upbeat tone than
I’ve heard them do it before, though it’s more raw and has less polish
than on a studio album.

Of course, on any live concert recording, there are imperfections. The mics aren’t positioned in the best way to catch crowd reaction (so you can’t really hear it when the audience is invited to sing along–an engaging asset to showmanship in a live performance but hard to pull off on an album). There are also a couple of mild bad words in one song ("Bowlegs") and another word in a second song ("The Battle of New Orleans") that counts as bad if you live in England, but in the digital era, you can easily make sure that your iPod never plays these songs for you if you don’t want.

There are also songs that contribute positive moral content, such as "Dance, Little Jean," which is a strong statement of the value of marriage, despite the difficulties it involves.

A special tune is the song "The House on Pooh Corner"–a celebration of childhood portrayed through the lens of Winnie the Pooh.

Another pro-morality song is "Face on the Cutting-Room Floor," which is about a talented young actress who goes to Hollywood to make it big. But when she discovers the moral price that must be paid for such success, it’s

Goodbye, Hol-ly-wood!
She’s leaving tonight, on a 2:30 ‘Hound–
sunrise on Sunset, she won’t be around.

(I like that part!)

All in all, it was a real treat to discover this album. Listening to it makes we wish three things: (1) I wish I could play like these guys! (2) I wish I could have seen them in concert night (or any night), and (3) I WANT the Song-Longer!

GET THE ALBUM!

But What Do You Mean By That Woof?

So, you say you want to know how man’s best friend really feels? A South Korean cell-phone company will be trying to fill that void in your life:

"South Koreans hoping to communicate with man’s best friend could be getting help soon from their cell phones. KTF Corp., a South Korean mobile phone operator, said Thursday it will begin offering a service that will enable dog owners to know whether their pets are feeling happy or sad.

"The users must first connect to Internet with their cell phones, and then register information of their dogs such as the breed and age. The service will then record the dog’s bark.

"The owner will receive text messages telling them how their pet is feeling, such as ‘I am happy’ or ‘I am frustrated.’"

GET THE STORY.

You know, dogs are very capable of letting you know what they’re thinking. You really don’t need a novelty service to translate for you. The dog I had a few years ago would stand by the back door when he wanted to go out. If he was ill, he’d lay down and whine. If he was eager for a walk, and he always was, he’d yip and prance when a leash was produced. He would stare at me with wide, sad eyes when he was trying to beg a treat.

And that’s all I really needed to know about his inner dog, thank you very much.

But What Do You Mean By That Woof?

So, you say you want to know how man’s best friend really feels? A South Korean cell-phone company will be trying to fill that void in your life:

"South Koreans hoping to communicate with man’s best friend could be getting help soon from their cell phones. KTF Corp., a South Korean mobile phone operator, said Thursday it will begin offering a service that will enable dog owners to know whether their pets are feeling happy or sad.

"The users must first connect to Internet with their cell phones, and then register information of their dogs such as the breed and age. The service will then record the dog’s bark.

"The owner will receive text messages telling them how their pet is feeling, such as ‘I am happy’ or ‘I am frustrated.’"

GET THE STORY.

You know, dogs are very capable of letting you know what they’re thinking. You really don’t need a novelty service to translate for you. The dog I had a few years ago would stand by the back door when he wanted to go out. If he was ill, he’d lay down and whine. If he was eager for a walk, and he always was, he’d yip and prance when a leash was produced. He would stare at me with wide, sad eyes when he was trying to beg a treat.

And that’s all I really needed to know about his inner dog, thank you very much.

He Finds Your Lack of Faith Disturbing…

Darth2High upon the northwest tower of Washington National Cathedral, almost at the top, between two huge louvered arches, there is a small peaked roof called a "gablet". At the bottom of each slope of this gablet is a carved "grotesque" (think: gargoyle). There, underneath the north (right) slope of the gablet, carved in stone, is the very visage of THE SECOND MOST EVIL GUY IN THE GALAXY!

That’s right! Darth Vader is immortalized in stone at our national cathedral. (Apparently a contest was held for kids to submit ideas for art to be used in the cathedral and some sensible kid chose the black helmeted, breathing-challenged master of mayhem as a fitting reminder not to give in to the "Dark Side". Is this a great country, or what?

The WNC Website gives alot of information and pictures about this grand structure, as well as some really cool panoramic 3-D wrap-around views (gotta have Flash animation capabilities, though).

Now I am even more anxious to get to Washington and tour this magnificent building. See? Sacred architecture doesn’t have to be boring!

Oh, STICKY NOTE to Camile Paglia – The cathedral includes sculptures of naked human figures (Frederick Hart’s classic "Ex Nihilo" is one example).

GET MORE  "GROTESQUE" FACTS HERE!

Impotence As Impediment

A reader writes

Dear Mr. Akin,

One of my friends, who has all kinds of questions about the Church, sent me this.  Usually I have a good answer.  This time I’m stumped.  I do remember that the Church used to deny marriage to those incapable of performing the marital act.  I hadn’t realized that was still the case.  My grandfather remarried at age 85 and he was definitely impotent after prostate cancer and chemo.

She then provides

A STORY ABOUT THIS INCIDENT.

Okay, here’s what the Code of Canon Law says:

Canon 1084

§1 Antecedent and perpetual impotence to have sexual intercourse, whether on the part of the man or on that of the woman, whether absolute or relative, by its very nature invalidates marriage.

              §2 If the impediment of impotence is doubtful, whether the doubt be one of law or one of fact, the marriage is not to be prevented nor, while the doubt persists, is it to be declared null.

§3 Without prejudice to the provisions of Can. 1098, sterility neither forbids nor invalidates a marriage.

Now, I’ve quoted all three parts of this canon because folks often confuse infertility (sterility) with impotence (inability to have sex). It’s important to be clear on the distinction. When you commit to marriage, you are committing to a relationship in which the other party has a right to have sex with you (at least at opportune times). You are promising the other person to fulfill the marital duty (which is a euphemism for sex) upon the reasonable and opportune request of the other party.

That act may be fertile or infertile. It is always infertile in the case of a couple past the age of childbearing and, even in younger people, is infertile during most times of the month. But one is still capable of fulfilling one’s marital duty.

If one is impotent, however, one cannot do this. Some folks become impotent during the course of marriage, but as long as they weren’t impotent when the marriage began then then there was no barrier to them validly contracting a marriage. The loss of potency is thus a tragedy that may befall one in a marriage.

Frequently, though, the impotence is not permanent. Many (maybe most) men experience transitory impotence from time to time. That’s quite common. Even when the impotence is longer-lasting, we’ve got all kinds of treatments (up to and including the use of surgery or surgical implants) to make it possible for the vast majority of individuals to be able to fulfill the marital duty at least some of the time. Given the change in the medical treatments we have, we either are living or will soon be living in a world in which only the total absence of the relevant anatomy or severely debilitating psychological conditions (e.g., a pathological fear of sex, perhaps due to a trauma) would genuinely render one perpetually impotent.

Consequently, this is a vanishing problem.

But . . . if someone really is permanently and untreatably unable to perform the marital act from the very beginning of the marriage onward then the person is not able to give valid matrimonial consent.

Marriage is a union in which you give someone the right to have sex with you, and if you are unable to fulfill this commitment then you aren’t capable of granting someone this right. I can’t give someone right to have me turn lead into gold for them unless I first have the ability to turn lead into gold, and in the same way, a person permanently and untreatably unable to have sex cannot grant someone the right to have sex with them.

Marriage is not only companionship or love. An impotent person can have those things as much as anybody. But an essential characteristic of marriage is that it involves an exchange of the right to have sex (and actual sex, not just quasi-sexual behaviors).

Now, in your grandfather’s case, it does not seem to me that prostate cancer or chemo automatically results in complete and untreatable impotence, even at an advanced age. I suspect that in his case the impotence was at least doubtful, in which case it fell under
              §2 and would be permitted.

Neither is it clear to me that the gentleman in the news story was completely and untreatably impotent. The story says that he’s paraplegic (not even quadraplegic), but in an age of surgical implants, that does not guarante a total inability to perform one’s marital duty. It would be difficult, and he might need his wife’s help to do so, but it seems to me that unless there’s something that the story doesn’t mention that (following the needed surgery) this gentleman potentially would be able to give a woman the right to intercourse with him and thus would have the ability to get married.