Duck Soup

Duck_soup16_1I really like the Marx Brothers brand of zany humor.

Recently I re-watched their movie Duck Soup and it reminded me of just how funny the brothers can be.

Duck Soup is my favorite of all the Marx Brothers films–at least of all the ones I’ve seen thus far (there are still some I have yet to watch). It’s also widely considered the best of their films by film critics.

One note for readers who aren’t native English-speakers: The title of the movie is not to be taken literally. Americans almost never eat duck soup. Instead, the phrase "duck soup" is a metaphor that refers to something that is very easy. If you say, "That’s just duck soup," you mean "That’s very easy" (not that many folks use this phrase much any more; presumably it dates to an era when more Americans went duck hunting).

The film was made in 1933, in the midst of the Great Depression. It shows the Marx Brothers at the peak of their form. (In fact, this was the last Marx Brothers film to feature Zeppo–the Marx Brother who served as "romantic interest" in their early films. After this, Zeppo stayed behind the scenes and let Groucho, Chico, and Harpo completely take over the spotlight.)

Duck_soup50Among other classic bits, Duck Soup contains the famous "mirror gag."

In this scene, Groucho is confronted with Harpo (and later Chico) dressed exactly as he is.

They mimmic his behavior to an impossibly exact degree, creating the illusion that he is looking into a mirror when he is really looking at someone mimmicing him.

This was not the first or the last time the mirror gag would be used. It was previously used in a couple of silent films and was later used by Lucille Ball (with Harpo Marx) and on The X-Files.

In addition to physical comedy involving Harpo, there’s also a lot of wordplay involving Groucho and Chico. Recently here on the blog we were talking about the nature of comedy and the subject of wordplay came up as a form of (frequently) unhurtful humor that doesn’t presuppose that anyone is unfortunate. It can just be a game where we see how cleverly words can be bounced off each other.

The Marx Brothers were great at that. (Though some of their wordplay does contain barbs–particularly toward their regular leading lady Margaret Dumont–as well as occasional politically incorrect remarks since these films were made in the 1930s.)

I don’t remember when but I apparently saw this films as a boy.

How do I know that if I don’t remember it?

Because the film messed me up with respect to American history. We Americanistas all know of "the midnight ride of Paul Revere"–a famous event in our history in which the silversmith Paul Revere made a . . . uh . . . midnight ride and warned the countryside that British troops were coming in from Boston.

This occurred in 1775, the year before we threw off the shackles of Our British Oppressors (now Our British Best Buddies).

According to the story, Paul Revere was supposed to watch the tower of the Old North Church, where he would see one lantern if the British troops were coming by land and two lanterns if they were coming by sea. In HISTORY, he saw two lanters and rode off telling people that the British Redcoats were coming by sea, but in Duck Soup‘s re-enactment of the scene there’s a joke where Groucho sees three lanterns, and he declares that "They’re coming by land and sea!"

I saw that as a boy and that one image sank into my brain. The image of those three lanterns being lit stuck with me, and I thought I’d seen it in one of those stiff, formal "you are there" history reenactment films they’d show us in school.

I was in my twenties or thirties before I realized that this was A JOKE and not what really happened.

The film makes fun of all kinds of history–including the contemporary European history of when it was made. It features the fortunes of an imaginary European country named Fredonia, which is locked in conflict with the neighboring country, Sylvania. It deals with the problems of taxes and economics and national pride and self-defense that plagued the nations of Europe between the two World Wars.

Evil dictator Benito Mussolini thought it so closely reflected the events of the day in Italy that he BANNED the film, much to the delight of the Marx Brothers.

Duck_soup48The movie is a regular history-slaw, which must have used just about every historical costume that Paramount Pictures had in their wardrobe department.

Despite the fact that Duck Soup is commonly regarded as the greatest of the Marx Brothers films (by me and others), it was for many years unavailable on DVD.

It was apparently released on DVD early on, but went out of print and was only available at insanely expensive prices (like $300 a disk!).

But it has recently been re-released and is now available again at HUMAN prices!

GET THE FILM ALONE.

GET IT AS PART OF A 5-DISK MARX BROTHERS SET FROM PARAMOUNT.

So Where’s MY Serenity Screening???

Serenitythumb_1

I’m very jealous that the publicists for the upcoming movie Serenity (based on the cult sci-fi show Firefly) have invited the guys over at Powerline to have a screening of the movie for themselves and 120 or so of their readers.

I mean, John Hinderaker, who does their review, spends half of the piece talking about the fact that he isn’t a sci-fi fan, doesn’t watch TV, and hasn’t seen a sci-fi movie since Star Wars (the ORIGINAL one).

What pearls before swine! I mean, that’s just fahng-tzong fung-kwong duh jeh.

On the other hand, I’m very pleased to note what this represents. As Hinderaker explains:

These folks have figured out that the major bloggers have audiences that exceed those of most newspaper and magazine movie reviewers, and that we can help generate word of mouth traffic and, better yet, controversy [SOURCE].

Yet another indication of life in the fourth age of human communications.

And I’m not really bitter about not getting a Serenity screening.

After all, they can’t take the sky from me.

PRE-UPDATE: STEVEN D. GREYDANUS’S REVIEW OF SERENITY IS AVAILABLE ONLINE. (And it’s insightful.)

Stories Of Terri

To coincide with the first anniversary of her death this coming March, the Schindler family will be releasing a book on their struggle to save her life:

"Terri Schiavo’s parents and siblings are writing a book about their struggle in the epic end-of-life case that divided the country and captured the attention of everyone from the Pope John Paul II to President Bush, their publisher said Tuesday.

"The yet untitled memoir by parents Bob and Mary Schindler, brother Bobby Schindler and sister Suzanne Vitadamo will be published in March to coincide with the first anniversary of the death of the brain-damaged woman, whose feeding tube was removed after her husband won a court order to do so.

"’This book is the moving story of an ordinary family caught up in extraordinary circumstances, and it will set the record straight for the first time,’ said Jamie Raab, senior vice president and publisher at Warner Books in New York."

Apparently unwilling to miss out on the action, Terri’s husband and murderer Michael Schiavo also plans to release his own memoir, to be titled Terri: The Truth, in which it is likely that he will tell everything but that:

"The Schindlers’ book is likely to compete for space on the shelves with a memoir by Terri Schiavo’s husband, Michael, who fought his in-laws in court for eight years to end her life, arguing she would not have wanted to be kept alive in what doctors called a persistent vegetative state.

"Michael Schiavo said he is collaborating on the book with author Michael Hirsh. The 280-page book is titled Terri: [T]he Truth, and is planned for release in March by Dutton Publishing."

GET THE STORY.

The Schindlers will not profit from their book on Terri, instead planning to "donate profits from the book to a foundation they established when they were fighting to save Terri’s life, Warner Books said. The foundation now is dedicated to protecting severely disabled people."

No word yet on Michael Schiavo’s plans for the money he will make from his book.

At Last! Someone In Hollywood With A GOOD Idea!

And by "a good idea" I mean "my idea."

You may have noticed that the time between the theatrical release of a motion picture and its DVD release is getting shorter. MUCH shorter.

My idea: Eliminate the time discrepancy COMPLETELY. Release movies on DVD at the same time they are in the theater.

In fact, SELL THEM IN THE THEATER. There’s no better time to hit a person up to by a DVD of a movie than when they’ve just seen it and are all excited about it. Make them wait 3-6 months and their enthusiasm will cool and you’ll have less of a chance of selling them that DVD.

I know I’ve come out of a movie and really wanted a DVD of it only to find myself thinking, months later when it finally comes out, "Was it really that good? Do really want to spend the money for a DVD?" My memories of the movie have faded enough that I end up not buying one, even though I now have the chance.

Selling DVDs in the theater would also (a) help boost flagging theater revenues (good for the theaters) and (b) cut down on film piracy if people can buy a legitimate copy the same way selling songs through iTunes cuts down on illegal downloading (good for the studios) and (c) please the customer (good for the customer)!

I know, I know.

People will argue that letting people buy the DVDs will cut down on ticket sales. Maybe so. Maybe not. You can cut down on that some if you only sell the DVDs in the theater while the movie is showing, so you have to go there to buy them.

At any rate, it gives customers more choice, and in principle, that’s a good thing. (Me being a customer.)

I think it’s an idea that’s at least worth experimenting with.

AND NOW, FINALLY, SOMEONE IS.

Aaaaa-AAAAAA-aaaah!

WilhelmlogoThat’s one way of trying to transcribe the most famous scream in motion picture history:

THE WILHELM SCREAM!

It’s named after a character named Pvt. Wilhelm in the western The Charge At Feather River (1953), who is just filling his pipe when he is shot in the leg by an arrow, prompting him to utter the now-famous scream.

The scream went on to be used in countless Warner Brothers movies and, after it was discovered by Star Wars sound designer Ben Burtt, in countless additional movies as well.

Burtt ran down the source of the scream and found that it was originally used in the 1951 film Distant Drums, where an unnamed character is eaten by an alligator.

After the photography on the film was done a series of voice takes was done under the title "Man being eaten by an alligator," and these became (collectively) known as the Wilhelm Scream.

Who the voice actor was doing the Wilhelm Scream is not known for certain, but Burtt has uncovered evidence that it was Sheb Wooley. best known for recording the song "Purple People Eater."

The scream has been used in innumerable movies, including all of the Star Wars films, all of the Indiana Jones films, and the second and third Lord of the Rings films.

It’s even used in TV shows and video games.

No doubt, you’ve heard it dozens of times, and now you know its name!

LISTEN TO THE WILHELM SCREAM (.wav).

(PARTIAL) LIST OF MOVIES WITH THE WILHELM SCREAM.

NPR RADIO FEATURE ABOUT THE WILHELM SCREAM (.real).

WATCH A MONTAGE OF CLIPS WITH THE WILHELM SCREAM (.mov; 48 mb!).

LEARN MORE ABOUT THE WILHELM SCREAM.

BUY MOVIES WITH THE WILHELM SCREAM.

BUY WILHELM SCREAM MEMORABILIA.

How many films have you seen with the Wilhelm Scream?

(Maybe I’ll take the .wav file and use it for one of my Windows sound events. Every time my computer crashes, it could make the Wilhelm Scream.)

The Shakespeare Code

You may have heard the speculation that William Shakespeare was a Catholic. Author Clare Asquith, in her new book Shadowplay: The Hidden Beliefs and Coded Politics of William Shakespeare, claims that the Bard of Stratford seeded his plays with subversive Catholic references that was a code for the Elizabethan and Jacobean Catholic resistance movement:

"Far from being an ambitious entertainer who played down his Catholic roots under a repressive Elizabethan regime, Shakespeare took deliberate risks each time he took up his quill, according to Clare Asquith’s new book Shadowplay. She argues that the plays and poems are a network of crossword puzzle-like clues to his strong Catholic beliefs and his fears for England’s future. Aside from being the first to spot this daring Shakespearean code, Asquith also claims to be the first to have cracked it.

"’It has not been picked up on before because people have not had the complete context,’ she explained this weekend. ‘I am braced for flak, but we now know we have had the history from that period wrong for a long time because we have seen it through the eyes of the Protestant, Whig ascendancy who, after all, have written the history.’

"It is now widely accepted that the era was not a period of political consensus, says Asquith. Instead, it was a time in which opposition voices were banished and censorship meant the burning of illegal pamphlets and printed works.

"As a result the Catholic resistance, which had been going for 70 years by the time Shakespeare was writing, had already developed its own secret code words; a subversive communication system which the playwright developed further in his work."

GET THE STORY.

GET THE BOOK.

This story caught my eye since I am currently reading through The Winter’s Tale with a reading group, in preparation for seeing the play performed. I’ve always been fascinated by Shakespeare, but found him difficult to penetrate and so have neglected actually studying him. Whether or not Asquith’s claim has merit, it certainly does pique my desire to better understand Shakespeare.

Patristic Recommends

A reader writes:

I’ve been studying Catholic teaching and am considering becoming a Roman Catholic.  My question is: what resources ought one actually read the early fathers in?  The snippets on Catholic.com  are helpful but I am seeking a broad base understanding.

There are several different resources that I could recommend. It depends on what you are looking for.

The main problem is that the writings of the Chruch Fathers are so voluminous that one person could spend years reading them. If you’re actually up for that, the most easily available set is a 38-volume set produced in the 19th century that, since it is public domain, is now online at a number of locations, such as www.newadvent.org.

Even this set, though, is not complete. There are other works of the Fathers not found in it. (And, as one Baptist pastor who later became Catholic noted to me, it sometimes excludes some of the more Catholic-leaning works since the editors were Protestant.)

If you’re looking for a broad summary but not the texts themselves then there is a 4-volume set called Patrology by Johannes Quaesten.

What I’d really recommend if you’re looking for a summary, though, is the 1-volume setbook Ealy Christian Doctrines by J.N.D. Kelly. Kelly is a Protestant, but he’s very good about admitting how Catholic the early Fathers were.

If you’re looking for texts (shorter than the 38-volume set) rather than summaries then I’d have to main recommendations.

The first is a 3-volume set called Faith of the Early Fathers by William Jurgens. It is like the excerpts on Catholic.Com except that it isn’t organized by topic. Instead, it proceeds in historical order from Father to Father, giving passages that the different Fathers said on particular subjects. The passages also (often) are longer than the ones on Catholic.Com and will give you a broader selection of what the Fathers were saying on different topics, as well as more of the context.

If you want whole documents but aren’t up for a long set, I’d recommend Early Christian Writings, edited by Maxwell Staniforth. This is a 1-volume edition of writings from the first and second centuries. It was very helpful to me when I was becoming Catholic, though it suffers from two problems: (1) It only covers a very small handful of documents compared to those that are out there (which is why it can offer whole documents while remaining 1 volume long) and (2) the period it covers is so early that the Church hadn’t yet had a chance to thoroughly reflect on what had been given to it by Christ and the apostles and so there are a lot of imprecise and, at times, even bizzare things. You won’t get as many of the crisply formulated expressions of theology that you will from later ages. Still, it’s quite valuable and contains things like Clement’s and Ignatius’s letters, as well as the Didache.

Following up with any of these recommendations will give you clues about what you may want to investigate next. For example, if you do some reading in Quaesten or Jurgens or Kelly then you’ll learn about documents that you may want to look up and read in more detail in the 38-volume set.

Hope this helps, and God bless!

Reading Cycles

Have you ever been through reading cycles? Bibliophile though I am, it seems my reading life is one cycle after another. Right now I’m on my non-fiction cycle and reading fiction can be a chore.

I grew up in a Reader’s Haven, although some might have called it a Reader’s Hovel out of exasperation at trying to climb over the stacks of books. My father introduced all of his children to reading and liked to brag of when he was a child and was the only kid in the neighborhood allowed to borrow double the allotment of books allowed by his local library because the librarians knew he’d have them all finished within the two-week loan period.

Similarly, I was also a voracious reader as a kid. When I was in sixth grade I broke the five thousand page record for pages read in a grading period simply because the teacher said it had never been done. (In retrospect, I think he simply said that to encourage kids like me to try to break that limit.) Give me a four-hundred-page book and I could have it finished in two days.

I can still wolf down books, but only if the ones I’m reading fit the cycle through which I’m currently passing. For example, for years I was a romance novel fan. Still love romance novels — they’re a sentimental favorite — but it is now a chore rather than a pleasure to plow through them. When I read fiction these days, I usually do best with the cozy mysteries — especially the foodie mysteries that have recipes printed in the book. I may never try out those recipes, but I love reading through them and imagining how the food would turn out. (Likely better for my waistline anyway!)

But give me a non-fiction book on a subject that interests me — currently, Pope Benedict XVI, marriage, and parenting issues, and please don’t analyze that too deeply! — and once again I have to carefully pace my reading so I’ll have enough book left to read to get me to the next payday. Does anyone else have experience with reading cycles? If so, through what cycles of the Reader’s Haven have you passed?

Holy Envy?

CbangelMy wife has always been drawn to a particular genre of non-fiction in which people struggle against great difficulties, especially physical or mental disabilities. She has read dozens of books in which the main character wrestles with something like autism, Down syndrome, cerebral palsy, blindness or some other malady (though disasters, abuse and hard pioneer life count also).

I have read a number of the books she has around the house and have learned to really appreciate several, not just as interesting stories, but as good, well-written books.

One such book that I can recommend is called "Karen". It is the story of Karen Killilea, who was born with cerebral palsy. It was written by her mother, Marie Killlilea, in 1952. In the book we see how Karen fights both her physical disability and the sometimes callous response of the society around her. There is a bonus, in that the Killileas are a warmly devout Catholic family and the book touches on very relevent themes, such as the intrinsic value of all human life. The book is available at Amazon.com, and you can find more information about the Killileas HERE.

Lately I have wondered what it is about such stories that is so compelling. Everyone has enough trouble of their own, why read about people who have it so much worse than we do?

One good reason to is that these stories throw into sharp relief the virtues that we need to overcome the hard things in our own life. Our admiration for Anne Sullivan’s tenacity in teaching Helen Keller helps us to be a little more tenacious in pursuit of some worthy goal, etc…

Another reason is that we are often tempted to view our own lives as dull and prosaic. Our own struggles don’t seem quite as dramatic as those of people whom we perceive to be "in the trenches", and who struggle under great burdens. It is part of what G.K. Chesterton called the desire for "an active and imaginative life, picturesque and full of a poetical curiosity". In a sense, we envy these people, we covet their stark, tremendous struggles because we are tired of our own small and tepid ones. We don’t often see ourselves as heroes.

But not everyone might agree. It occurred to me that, in our daily battle against the World, the Flesh and the Devil, the angels may view us in a way that is similar to the way we see the heroes in these books; these people who contend with crushing misfortune, or constant deprivation. The fallen world we live in puts us "in the trenches" in a way that makes even our mundane troubles more vital and heroic.

The idea that our lives are dull and meaningless is a lie from the pits of hell. The truth is, every decision we make is of eternal importance.

Not that the angels would envy our place in the battle. If I understand my Bible, they are certainly in the thick of it themselves, and have no lack of excitement. But, if there could be such a thing as holy envy, the angels might envy our role as overcomers. Even in heaven, a scar may be a badge of honor.

An angel might say to me one day, "Tell us again how the grace of God helped you to overcome your sloth, thoughtlessness and all-around deficient faith!".

And I’ll tell them.

March Of The Red State Penguins

The Gray Lady, in an editorial inexplicably placed in the New York Times‘ Science section, is bemused over the success of the film documentary March of the Penguins, noting in wonder that political conservatives have taken a shine to the film’s affirmation of such traditional values as monogamy and pro-life commitment. After Michael Moore’s anti-America screed Fahrenheit 9/11, March of the Penguins has become the second highest-grossing documentary ever.

"[O]f all the reactions [March of the Penguins] has evoked, perhaps the most surprising is its appeal to conservatives. They are hardly its only audience; the film is the second highest grossing documentary of all time, behind Fahrenheit 9/11" [because, in the World According to the Gray Lady, there are not enough Red Staters to dance on the head of a pin, much less turn a film into a blockbuster].

"But conservative groups have turned its stirring depiction of the mating ordeals of emperor penguins into an unexpected battle anthem in the culture wars" [which liberals didn’t dream of doing with Fahreheit 9/11].

"March of the Penguins, the conservative film critic and radio host Michael Medved said in an interview, is ‘the motion picture this summer that most passionately affirms traditional norms like monogamy, sacrifice and child rearing.’

"Speaking of audiences who feel that movies ignore or belittle such themes, he added: ‘This is the first movie they’ve enjoyed since The Passion of the Christ. This is The "Passion of the Penguins".’ [Weirdly enough, there are sufficient numbers of Red State wackos to turn The Passion of the Christ into a record-breaking megahit — must have been since no one else would dream of contributing to that film’s success, right? — but the Red State wackos don’t have much to with the success of March of the Penguins because it has been too successful to depend on the money of Red State rubes, quoth the Gray Lady.]

"In part, the movie’s appeal to conservatives may lie in its soft-pedaling of topics like evolution and global warming. The filmmakers say they did not consciously avoid those topics — indeed, they say they are strong believers in evolutionary theory — but they add that they wanted to create a film that would reach as many people as possible." ["They wanted to create a film that would reach as many people as possible"? Wow, what a great idea for an industry that depends on audience appeal!]

GET THE STORY.

I haven’t yet seen March of the Penguins myself, but it sounds wonderful.  I’ll have to send the Gray Lady a thank-you note for piquing my interest in this film by appealing to my Inner Conservative.