The banjo-playing historian I mentioned the other day who I met on a train was Mark Gardner (left, though he wasn’t in full regalia when I met him).
He told me about a recent CD he had made with his partner Rex Rideout using period instruments. It’s called Frontier Favorites: Old-Time Music of the Wild West. Afterwards, I bought a copy from CD Baby.
I was very pleased.
Mark plays banjo and Rex plays fiddle, and they are the only musicians on the CD, but despite this the songs never sounded weak or threadbare. I was, frankly, amazed at HOW MUCH MUSIC two men can make using only one banjo, one fiddle, and their voices.
The fact that they were using period instruments (i.e., not a modern,
steel banjo or modern fiddle) also had a major effect on the sound. (You can see Mark holding such an "organic" banjo in the picture.) Not being a music critic, I don’t know how to articulate the difference, but there is a more raw, natural sound to the instruments they are playing than what you would hear on a contemporary instruments CD.
The experience generated by the CD is the closest approximation of what it would be like to hear real 19th century musicians playing. It transports one back in time more effectively than any similar old-time CD I’ve heard, and I heartily recommend it.
One of the fascinating things about the songs of this period that can’t go without mention is their lyrics. Contrary to contemporary chronological snobbery, the folks who lived in the 19th century weren’t a bunch of dummies. In fact, they were more highly educated in some subjects than we are.
For example, how many times recently have you heard Latin used in a song? Well, you will in Mark & Rex’s "Old Dan Tucker" (a 19th century comedy song about a buffoon who behaves oddly and can’t do anything right). One of the verses goes:
Here’s my razor, in good order!
Magnum bonum, just have bought ‘er!
Sheep shell the oats; Tucker shell the corn.
I’ll shave you, son, when the water gets warm!
Magnum bonum is Latin for "great good," here meaning something like "very good" or "excellent quality." It says something about the people of the time that they could be expected to understand the phrase and recognize its relevance to a just-bought straight razor in a comedy song.
This isn’t the only time that the lyrics presuppose knowledge that moderns may not have. For example, the song Captain Jinks of the Horse Marines is filled with such references. This song, which was the wildly popular after it was first introduced (though it didn’t always have the patter that Mark and Rex include–and Mark is the vocalist on this one), is a treasure trove of cultural references. Also a comedy song, it concerns an incompetent military man (Capt. Jinks), who is the origin of the modern word "jinx" (meaning, a cursed or unlucky individual).
The refrain of the song goes:
I’m Captain Jinks of the horse marines.
I feed my horse on corn and beans.
And often live beyond my means.
Tho’ a captain in the army.
Here the jokes are densely-packed.
First, there was no such thing as the "horse marines." Marines are military men who travel by sea, and horses don’t usually do well on the sea. Classically, marines are either infantry or artillery. The idea of "horse marines" is a joke about a non-existent group (though completeness compels me to point out that some actual military groups have named themselves after this joke; there was a group of cowboys who patrolled the Texas coastline during the Texas Revolution who called themselves "horse marines" and also a group of U.S. Marines in the twentieth century in China who similarly styled themselves). The term "horse marine" thus came to refer to a member of a non-existent unit or, simply, to a misfit.
Second, nobody would feed their horse on corn and beans. In the 19th century those constituted "people food" and would be more expensive than what one would feed one’s horse on (hay, oats). Hence, Capt. Jinks often lives "beyond his means." A diet of pure corn and beans also wouldn’t be good for a horse nutritionally.
"Tho’ a captain in the Army," Captain Jinks is thus a very unfortunate and comical guy. The cards are stacked against him, and 21st century denizens may not fully appreciate the jokes at his expense.
Despite this, Mark & Rex’s CD is a terrific introduction to old-time music, as well as a fascinating re-creation of what it would have been like to transport back into the past and hear actual musicians of the period.
Highly recommended.
Funny. Flying from Louisville to Washington last month, I sat next to this girl. (No, she wasn’t wearing her ‘full regalia’ either.) She saw me reading my liturgy of the hours and decided to dump her love troubles on me (she thought it was a Bible, but hey, why argue?). She’s a Californian, Jimmy, like you 😉
Jimmy, you are not merely an apologist for the Catholic Church. You are an apologist for esoteric goodness. (Of course, now that I think about it, the latter is often equivalent to the former.)
Being an old folksinger with a specialty in traditional songs, I can tell you what you like about this guy: his music is REAL, not over-produced with soft edges, like what you hear on the radio. It is edgy and twangy and genuine.
Authentic instruments have a quirky, sometimes off-key, sound, but that is what lends them their considerable charm. I am thrilled that people still play and sing like this.
Thanks for sharing Mark and Rex’s music!
‘thann
I’d also recommend to anyone interested in delving into some 20th & late 19th century “old time” music, to check out The Crooked Jades. They play only period instruments, including a “minstrel banjo” rarely heard or seen these days, & either old songs or new songs very much in the old timey, pre-“Oh, Brother” tradition. Their motto is “Old Time is Not a Crime” & they’re based in San Francisco. Amazon has their stuff & so does their website, http://www.crookedjades.com. There are a number of bands like this out there but the Jades are truely at the top of their game. Plus, their last 2 cd were co-produced by my buddy Richard Buckner!
As for a different take on the banjo, I’d recommend Bela Fleck’s cd Perpetual Motion. He takes classical pieces & transposes them to the banjo with fascinating results! The title track, originally written for violin, is worth the price of admission alone!
“Here the jokes are densely-packed.”
What a riot!
:rolleyes:
🙂
[playful sarcasm off]
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