Now that I've been able to report that my relative is doing better, I thought I'd also talk about something I've been hoping to share with readers for some time.
Long-time readers of JA.O know that one of my hobbies is square dancing. It's something I started doing several years ago as a way of getting exercise, having something to do evenings and weekends, and enjoying the simple pleasure of moving to music that God built into human nature.
I also do other forms of dancing, such as round dancing (ballroom dancing with cued instructions) and a little bit of contra and line dancing, but square dancing is the form I enjoy most. It's dynamic, cooperative, social, and basically just good, wholesome fun.
It's also liquid geometry set to music.
And these days, it goes way beyond its country roots, using a blend of musical styles including rock, jazz, world beat, and others. (Maybe sometime I'll put up some brief, non-copyright-infringing samples so you can hear what I'm talking about.)
What I haven't talked about on the blog up to now is a project I've been working on for some time.
Basically, I've learned to call square dances.
This has been a very difficult skill to acquire. The only thing of comparable difficulty that I've ever tried is studying another language.
In fact, square dance calling is a lot like speaking a language. Depending on what what level you're calling at, you have up to 100-200 (or more) commands that are part of the square dance "vocabulary." You then inflect them by indicating which dancers you want to do them (similar to the way we change the form of nouns and verbs to indicate who or how many). And there is an overall "grammar" governing how the commands are strung together so as to make sense, the same way we have to put words together a certain way for a statement to be intelligible.
Another aspect of modern square dance calling that is language-like is that it is generative, meaning that you make it up as you go. Neither the dancers nor the caller tend to know what is coming next. Callers usually don't plan a sequence of calls rigorously in advance any more than speakers of a language rigorously plan their sentences in advance. Callers and speakers both generate meaningful strings of words in a spontaneous manner.
That spontaneity adds excitement and is part of what makes modern square dancing fun.
On top of the ability to generate meaningful choreography on the fly, square dance calling also involves a number of related skills, including being able to time the choreography to the music, showmanship, humor, and the ability to sing (something I didn't previously know if I'd be able to do; turns out I can).
So . . . learning how to do this has been something of an accomplishment, and I wanted to share it with readers.
To give readers a sense of the task, most people who try calling give it up without ever calling a gig.
A minority end up breaking through to the "working caller" level (meaning: you're doing gigs on a regular basis).
To attain full membership in the main professional association of square dance callers–CALLERLAB–one needs to call at least 12 gigs a year for three years.
I haven't been doing this for three years yet, but in the 2008 I called approximately 50 gigs, so about once a week on average.
I'm scheduled to do at least that number in 2009, because–and this is the reason I decided to talk about calling now–I've just crossed a new threshold as a caller. In addition to being a working caller, I'm also a club caller.
That means that a square dance club has asked me to call for them on a regular basis. I'm now calling the regular Friday dances for the Alpine Squares of Lakeside, California.
Being a club caller is considered the hardest job in square dance calling since you can't just have one "act" that you do. You have to be able to regularly come up with new material to keep the dancers entertained.
It'll be an interesting challenge!
As I've been learning this skill, I've been taught and mentored and given opportunities by some of the best in the business, and I owe them an enormous debt. I can't begin to thank them enough.
If anyone is in the San Diego area (or knows someone who is) who would like to see what square dancing is like, or who would like to see me call, my club is having a series of community dances in January (no experience needed, no partner needed).
LET ME KNOW YOU'RE INTERESTED and I'll get you the pertinent details.
Up next . . . answers to some questions from readers.