I got an e-mail from Peter Knight, creator of Big Wolf on Campus and a striking member of the Writers Guild of America (WGA), asking if I had any thoughts about the current writers strike.
I do.
I don’t like it.
It’s likely to cause the final ten episodes of Battlestar Galactica to be held up (note the Battlestar Galactica show runner, Ron Moore, on strike in the picture).
But that dislike is a purely personal thing. What do I think about the merits of the strike?
Well, I’m not a big fan of unions–especially industry-wide unions. Industry-wide unions are basically labor monopolies, and labor monopolies are no better than business monopolies.
Every industry-wide union that I can think of has had notable pernicious effects, due to Pournelle’s Iron Law of Bureaucracy, among other things. Thus the teachers’ union has poisoned American public education; the automotive workers unions have poisoned the state of Michigan, etc.
Nevertheless, I recognize that it is morally legitimate, and sometimes even necessary, for workers to organize unions and use the resulting collective bargaining power.
And if there’s anywhere that such organizing may be needed, Hollywood–with its deliberately deceptive accounting practices and ultra-exploitative mindset–is a plausible candidate.
One thing that hasn’t been communicated very effectively by the media is what the central issue of the current strike is, and that issue is finding a way for writers to get paid for their content when it is distributed via the Internet.
The studios are arguing that Internet distribution is too new and uncertain to be able to figure out what to pay the writers, which is hogwash. They’re getting ad revenue now for shows being broadcast over the Net, and it would certainly be possible to craft a formula to compensate writers on that basis.
Internet distribution has reached a crucial point, which is why the strike has hit now. Peter Knight explains:
The studios want to be able to stream shows in their entirety on the Internet laced with commercials and pay the writer nothing for it. Zero. Don’t believe me? They are doing it right now. Go to NBC.com and watch an episode of Heroes or The Office or 30 Rock. You might also notice the commercials that play along the way. Yet, the companies’ position is that they can’t make money off the Internet yet. Then how did those commercials get there? Pro Bono ad sales?
Ron Moore adds additional detail (EXCERPTS):
Your television and your computer are going to become the same device within the foreseeable future. That reality is staring us in the face.
This is literally the future of my work in television and film and the work of my writers and everyone involved, because it’s all going to become transmitted to people via the internet, in some way, shape or form. Whether it’s on your cell phone, whether it’s on your lap top, or whatever other devices come along, it’s all going to go through that pipe. And either we participate in that formula or we’re completely destroyed. If you buy a book, there’s an expectation that every time you buy that book in hardback, the author gets a dollar. And if you buy it in paperback, he probably gets a dollar to. Well, you have a situation where suddenly, he doesn’t get paid anything if you buy the paperback, then guess what? Then they’re only going to sell paperbacks. And that will happen with us too.
So, bottom line, what do I think of the strike?
Well, it’s unpleasant and I don’t like it, but at bottom I think that the worker is worth his wages and Hollywood needs to find a way to compensate writers for material streamed over the Internet. Trying to dither about how confusing the Internet is as part of a squeeze play to reduce the compensation writers are getting is simply disingenuous.
Which is what Hollywood does best.
After all, it’s all about play acting, isn’t it?
I guess not all of the actors are the ones in front of the cameras. Some are wearing suits in the back office.
Meanwhile, how will the strike affect Battlestar Galactica?