Dead Man’s Chest

Deadmanschest1The Pirates of the Caribbean turned out to be the surprise summer hit of 2003 and left the newly-minted fans of the franchise wanting more.

They got a little more later that year when the pirates returned for a brief, cameo appearance to wipe out an orc army at the endmiddle (beginning? it’s hard to tell with a sixteen hour film) of Lord of the Rings: Return of the King.

They should have been in that film for longer than they were, but Aragorn foolishly released Captain Jack Sparrow from his oath before Sauron had been thoroughly defeated.

But now the pirates are back for another installment of their own franchise!

It instantly became THE BIGGEST OPENER IN BOX OFFICE HISTORY.

And STEVE GREYDANUS’S REVIEW has me anxious to see it!

Here’s a taste (EXCERPTS):

[L]ike Raiders of the Lost Ark, Dead Man’s Chest takes the kinds of things that others have done before, and then does them so inventively that it becomes the new standard.

The sequel takes the slapstick swashbuckling to a completely new level, evoking the ingenuity and physical comedy of a Buster Keaton or Jackie Chan set piece, crossed with the Rube Goldberg logic of a Chuck Jones cartoon.

A slight but distinct spiritual vibe runs through Dead Man’s Chest,
particularly in regard to an uneasy awareness of judgment after death.
“Do you fear death?” Jones asks the sailors of a ship he has taken as
he offers them a Faustian choice between death and eternal service on
his ship. “Life is cruel. Why should the afterlife be any different?
Why not postpone the judgment?” Most of the sailors accept this
Faustian bargain, though one sane soul demurs (“I’ll take my chances”)
and is quickly dispatched.

In a comic variation on the theme, one of the formerly cursed
pirates from the first film has taken a new interest in spiritual
matters. “We’re not immortal any more — we got to take care of our
immortal souls,” he warns his companion while leafing intently through
his Bible.

The other eyes him dubiously. “You know you can’t read…”

But the first is undeterred: “It’s the Bible — you get credit for trying!”

GET THE STORY.

Many have been comparing Dead Man’s Chest to The Empire Strikes Back in that it is (a) reportedly really good and (b) has a cliffhanger ending meant to spring us into a third film.

That film–Pirates of the Carribean: At World’s End–is due out next summer.

I haven’t seen an actual in-theater movie in I don’t know how long (maybe a year or two), but I’m going to see this one.

See you at the movies!

INFO ON WHAT THAT WHOLE "DEAD MAN’S CHEST" THING IS ABOUT.

Bryce Zabel Comments

Bryce_zabelLast week I did a post on the proposal to reboot the Star Trek universe that Bryce Zabel and Joe Straczynski wrote and sent to Paramount.

The post generated a number of comments in the combox, as well as a comment via e-mail from Bryce Zabel himself (who gave permission to use his name). He writes:

Thanks for the mention in your blog… you must have a very popular one because I got a lot of referrals.  I also agree with the comments that a reboot, for those who freak out at the exact word, could simply be to tell the Star Trek story in an existing alt.universe. Anyway, all best to you, Jimmy…

I think that Bryce’s point (and that of other commenters) is a good one about presenting a rebooted Star Trek universe as an alternate timeline.

If a reboot ever goes forward, it might even be possible to deflect some concern by fans by showing the point of divergence for the two timelines or having them interact with each other in some way (via an interdimensional gateway or a timeline jumping means like in that great episode where Worf was jumping timelines accidentally). This would show the fans that all of their favorite, beloved stories were still "real" and still "existed out there"–just not in the timeline or universe that was in focus in the reboot.

As I mentioned in last week’s post, Mr. Zabel runs his own blog, and he frequently discusses matters of the television and movie industry, including science fiction and related genres, so be sure to

CHECK OUT HIS BLOG.

If you’d like to know more about the man himself,

HERE’S HIS IMDB PAGE

HIS BIO ON IMDB IS ALSO QUITE INFORMATIVE

AND HERE’S INFO ON HIS SERIES DARK SKIES.

Thanks for stopping by, Bryce! Hope to see you around the cyberspace!

Star Trek: Reboot The Universe

Yesterday I did a couple of posts about efforts by fans and now, possibly, by J. J. Abrams, to re-cast the characters of the original Star Trek series in order to allow new stories to be told about them more easily.

I did so to build up to this:

A PROPOSAL BY JOE STRACZYNSKI AND BRYCE ZABEL FOR THEIR VISION OF HOW STAR TREK SHOULD BE REJUVENATED.
(CHT to the readre who e-mailed!)

They sent this proposal to Paramount back in 2004 and . . . well . . . nothing came of it. But it’s an interesting proposal.

Basically, they propose rebooting the Star Trek universe so that the writers won’t be boxed in by all the massive continuity recent Star Trek writers have been burdened with. Giving the universe a fresh start would allow them to take the exciting, interesting things about the series that made it popular, without having to be constrained in the stories they can tell by all the material that later followed.

It would also let them re-cast the characters so that we could have new stories involving Kirk, Spock, and McCoy–the triumvirate at the heart of the original series.

The basic idea was to offer another take on the original five-year mission–this time giving it a definite story arc and retelling classic tales in a new way, while supplementing them with entirely new stories.

What they had in mind is quite interesting–putting a significant mystery at the heart of the series in a way that would tie it toghether. They write:

As noted above and as established in television history, Kirk was the youngest starship
captain in the Federation…but what led to this? We know that the Enterprise was sent out
to explore where no human had gone before…but if you stop and think about it for a
moment, isn’t that an odd assignment…to take one of the finest ships in the fleet, give it to
the youngest captain in the Federation, and tell them to just go drive around and see what
they can find?

It’s peculiar…until you allow for the possibility that they were looking for something
specific…something they had to keep a secret even from the rest of the crew.

The series treatment gives you a pretty good idea of what Straczynski and Zabel intended the secret to be, and it would have been interesting to see them get the chance to do it.

I found reading the series treatment quite interesting from a
literary perspective. Not only did they have to do a lot of
salesmanship as part of their attempt to convince network execs to give
them a chance, they also spent a surprising amount of time explaining
the concept of a reboot and how it would work. I guess studio execs in 2004 couldn’t be expected to be familiar with such concepts and had to be given a "let me lead you by the hand" explanation. (Probably not a bad idea. JMS tells horror stories about his initial attempts to get studio execs to understand the idea of Babylon 5 having rotational gravity.) Now you could just point to Battlestar Galactica, tho.

On his blog, where Dark Skies creator Bryce Zabel posted the treatment, he indicated that they also held back a lot of what they had in mind from the treatment, indicating that they had in mind a reboot somewhat like the Battlestar Galactica reboot that Ron Moore did, which would have resulted in a much grittier, edgier, and (frankly) interesting series than the kind of clean-as-a-whistle, formal, polyester kind of series that we got in Voyager (for example).

He also mentions that he’s had a whole new set of thoughts about how Star Trek could be revived since the 2004 proposal.

So be sure to

READ THE POST.

Star Trek XI

Ever since Star Trek Enterprise went and got itself cancelled (due to the bad decisions of its producers, such as not focusing on the Earth-Romulan War, and despite the much better fourth season that came too late to save it), Star Trek fans have had no new Star Trek to watch–except for fan productions like Star Trek New Voyages.

Now it looks like they may.

When Enterprise was cancelled it was stated (a) that there would indeed be future Star Trek productions (Paramount would be foolish to simply let the franchise die) but (b) there would be no new TV show for some time (Paramount would be foolish to put a new one on too soon, before the demand for one had had a chance to build again) and (c) the most likely next installment of the franchise would be a movie.

Rumors circulated around Hollywood for some time about what this movie might be about–possibly the Earth-Romulan War . . . possibly the story of how Kirk and Spock first met (these being the most logical two stories to try to tell next).

Now Paramount has officially announced the movie.

And it’s signed major talent to oversee it: J. J. Abrams, the guy behind Lost and Alias and Mission Impossible III.

Of course, the movie–or Abrams involvement in it–may not work out. Hollywood is a notoriously entropic place, meaning that deals have a tendency to fall apart there.

It sounds, at present, like Abrams and his team are currently thinking about doing the Kirk-Spock story, using new actors to play the young characters.

Which is why I mentioned New Voyages earlier: The New Voyages folks have decided that these characters are iconic enough in our culture that they should not be forever tied to the particular actors who originated them, the way Hamlet or MacBeth or the Mikado are not tied to the actors who originally played those parts.

In other words: Fans should learn to disassociate the characters from the actors.

This would allow the franchise to tell new stories about established and interesting characters and not have to invent and then sell to the fans a whole new cast every time one cast needed to retire.

Y’know: The way James Bond and Sherlock Holmes have been played by something like fifty guys each.

And there’s a reason I mention Star Trek XI and its possible recasting of major parts.

More on that tomorrow.

In the meantime,

GET THE STORY

and

LEARN ABOUT J. J. ABRAMS.

Star Trek New Voyages

NewvoyagesI assume from various pieces of evidence I’ve encountered that there are a bunch of Star Trek fans out there making their own fan films based on the franchise.

I further assume that most of these are pretty lousy.

But I don’t know, because I haven’t seen them.

One fan-produced Star Trek effort has stood out, though, and I have actually seen some of it (though not enough to do a full review at this point).

The series is called Star Trek New Voyages, and it has managed to achieve unprecedented success.

The idea is that the series will use modern amateur film techniques (which are getting quite good) to produce the episodes that would have been needed to fill out the remaining two years of the original Enterprise’s "five year mission" (y’know: the two years they didn’t get to film because they got cancelled after season 3) and these episodes will be released direct-to-web.

The show thus features the original series cast of characters, though with different actors playing them (usually).

What makes the series unusual is the degree of quality that the folks behind it are trying to put into it. Their sets, for example, are virtually identical to those used on the original series–so identical, in fact, that when Star Trek Enterprise needed a copy of Mr. Sulu’s extendible console viewer thingie (as seen here) for their Mirror Universe episodes and the prop department didn’t have it any more, the producers of the TV show called the New Voyages folks to borrow the fans’ version of the prop rather than make their own.

The level of quality that they’re trying to put into the show has been so great (relative to other fan productions operating on a shoestring) that they’ve been able to get numerous professionals connected with the TV series to participate in New Voyages as well. This includes not only Gene Roddenberry’s son and actors who had minor roles in the original series but also writers from the original series, Next Gen, and Deep Space 9, including such noteables as D. C. Fontana and David Gerrold.

And now some of the main cast from the original series is getting into the act.

This September they’ll be releasing an episode in which Walter Koenig reprises his role as Checkov (an older version of himself who meets the younger version normally on New Voyages), and I’m anticipating that this episode will be used as Koenig’s swan song for the character (i.e., I’m expecting the older Checkov to die in it and thus tie up his character arc).

George Takei is also going to be reprising his role as Sulu in an upcoming episode.

Unfortunately, they’re only making one of these a year at present, so they may have to re-cast all the parts once again before they get to the end of the fifth year (if they get that far), but it’s interesting to note the success they’ve had thus far.

ABOUT THE PROJECT.

VISIT THE OFFICIAL WEB SITE.

Now, there’s a specific reason I mention all this.

More on that later.

The Straight Story on Superman

A while back I posted HERE regarding the efforts of gay-advocacy magazine The Advocate to recast Superman as an icon of gay culture.

In the wake of that story, it was nice to see Superman Returns director Bryan Singer among the many pooh-poohing this notion — Singer’s own sexual preferences notwithstanding.

Singer described Superman as “probably the most heterosexual character in any movie I’ve ever made.”

GET THE STORY.

Incidentally, SDG has posted his review of Superman Returns — so get the straight story on the film HERE.

Sciencs Vs. Magic: Hawking Vs. Potter?

The comments he made regarding John Paul II weren’t the only things that Stephen Hawking had to say recently.

ACCORDING TO THIS STORY,

he stated a number of other interesting things, such as humans needing to start establishing offworld colonies that can function independently from earth if we want to survive long term.

That project might take awhile–longer than most of us will be around–but Hawking also mentioned a much shorter-term project he’s involved in:

Hawking said he’s teaming up with his daughter to write a children’s book about the universe, aimed at the same age range as the Harry Potter books.

"It is a story for children, which explains the wonders of the universe," his daughter, Lucy, added.

They didn’t provide other details. 

The Dork Knight of Gotham

Batman_1
Being that two of my JA.O blogmates have posted recently on the topic of super-heroes, I had to throw in my two pfennigs.

A few weeks ago our family acquired (cheap) a copy of the original (Adam West) Batman movie (1966).

Okay, I admit it… I have no taste. I like this movie better than any of the darker, more recent Batman films (except Batman Forever) and it is a guilty pleasure that I have passed on to my kids. They have really enjoyed it. One measure of the success of a film in our house is when we go around for weeks afterward inserting bits of the dialogue into our everyday speech. Batman 1966 qualifies in spades.

The movie is campy, fun, clean, goofy, brimming with Bat-gadgets and fisticuffs, and boasts the greatest cast of Bat-villains ever. Like the classic Looney Toons, the humor of the movie (as well as the series) operates on different levels. As a kid I missed a lot of the grown-up jokes and sexual innuendo, but had a blast, anyway.

For the record, in this film Batman is intensely heterosexual.

The main reason I’m posting on Batman, though, is a scene toward the end of the film, where the President of the United States makes an appearance (more or less… we see his chair and one arm from behind). He sports a generic Texas twang and, though it isn’t really a straight impersonation, it is obviously meant to represent then President Lyndon Johnson.

What’s weird is that, though it doesn’t sound like Johnson, the voice sounds remarkably, uncannily like George W. Bush.

SEE IF IT DOESN’T!

[JIMMY ADDS: If you watch this movie, don’t miss the MUST SEE (!) "Some days you just can’t get rid of a bomb!’ scene. It’s hilarious!]

[JIMMY ALSO ADDS: There’s an interesting episode of the Batman TV series in which they play off Lyndon Johnson’s political misfortunes and the fact that due to his unpopularity he didn’t run for re-election when he legally could have. In this episode, Batman is running for mayor of Gotham City in order to stop a villain from getting the post, and the episode is transparently meant to be a "Batman runs for president" episode under the surface (e.g., they mention the cowboys and indians voting in the western precincts of Gotham City). At the end of the episode, after Batman has won and turned the mayorship over the the guy who really should be mayor, he is in Commissioner Gordon’s office when he receives a phone call from a major, unnamed political party asking him to be their presidential candidate. He politely declines, but he and the commissioner comment on how nice it was of "them" to ask. At this point, we have no idea which party it was that asked, but then Batman gets another call, from the other political party, asking him the same thing, and he replies, "I . . . thought your party already had a presidential candidate for 1968." ZING!]

GAY MAG: “How Gay Is Superman?”

Advocate_coverWhen I saw this cover on the Drudge Report, I grimaced.

Why would The Advocate–a notorious homosexual magazine–be running a cover story asking "How gay is Superman?" and showing a picture from the upcoming movie Superman Returns?

Did it mean that the actor picked to play Superman (about whom I know nothing) is gay? Did it mean that the movie contains a homosexual theme or plot element?

The answer to those two questions is, apparently, "no," for which I am relieved.

Instead, according to the L.A. Times, The Advocate’s article dealt with an attempt to view superheroes in a homosexual light.

This is something that is not that surprising.

I don’t know precisely what to attribute it to, but the homosexual community frequently seeks to reinterpret wholesome American icons in homosexual terms.

That’s why so many men in homosexual parades dress up as Dorothy from the Wizard of Oz, or why the idea of gay cowboys in Brokeback Mountain struck such a note with the homosexual community. Re-reading superheroes in this light looks like a continuation of the same theme of the homosexualization of what is in itself wholesome and innocent.

I can only imagine that those in the gay community who do this kind of thing take a kind of perverse delight in reinterpreting icons of goodness and decency in this fashion. In that perverse delight, by definition, there is an element of perversity that would infuriate many in the gay community if it were labelled with a particular noun which is a cognate of "perverse" and a synonym for "perversity."

Unfortunately, those in the homosexual community who are doing this kind of thing are not without collaborators.

That explains why D.C. Comics would allow the reinterpretation of Batwoman as a "lipstick lesbian" (which, I discovered, is a lesbian who cultivates a feminine rather than a "butch" appearance). The announcement of that was particularly disgusting to me, since I remember the original Batwoman from reprints of old Batman stories that I read as a child, and the original Batwoman was created as a love interest for Batman himself.

It also explains why–according to the L.A. Times story–the marketing department promoting Superman Returns is apparently advertising the movie in homosexual venues in an attempt to pull in gay moviegoers–but without alienating the straight community that is expected to form the core audience of the film.

I can only view such efforts with contempt.

While the film itself is meant to be a thematic followup to the first two Superman movies, which were quite good, if Warner Brothers is specifically trying to get the gay community out to see this film in order to play off of a desire to subvert wholesome American images so that it can make more money then it is contributing to the subversion and homosexualization of American culture.

GET THE STORY.

The Physics Of Star Trek

I decided to take a little road trip over the Memorial Day weekend, so I loaded up the truck and I went over to Phoenix. While there I went square dancing with the Bucks & Bows club of Scottsdale, which was very enjoyable, and I also got in a good bit of listening to audio books while shooting through the desert.

One of the books I listened to was Lawrence M. Krauss’s The Physics of Star Trek. It was a nice read.

It came out a good while ago, so it didn’t go all the way up to the end of recent Star Trek history, but it was nice to hear a professional physicist’s take on the show.

It was clear that Krauss enjoys Star Trek and can appreciate episodes even when they contain physics mistakes. He also handled the subjects he considered in a quite balanced way, regularly avoiding the trap of saying "This could never happen" while making it clear that the current understanding of physics would make it very, very hard for it to happen.

One of the things that Krauss was most impressed with was how good the technobabble on the show can be. While a bunch of it is just junk (from a physics point of view as well as a dramatic point of view), there are a startling number of times where the writers of Star Trek seem to have picked terminology for things that eerily mirrors the actual terms scientists use, started using after the show, or might plausibly use in the future. (An easy example is a TOS episode in which the writers referred to something that sounds like a black hole–before the term "black hole" had been coined–as a "black star.")

After discussing warp drive and time travel and deflector shields and inertial dampers and the like, Krauss concludes the book with a couple of chapters dealing with particularly good and particularly bad physics moments on Star Trek.

I was kind of surprised that in the bad physics moments that he picked on a few things that dealt with minor matters of terminology that I wouldn’t have included in a top 10 mistakes chapter. I was also kind of surprised that he omitted some of my favorite science errors on Star Trek (like where the heck is Spock getting all of his body mass from as he’s rapidly re-growing to adulthood on the Genesis Planet in Star Trek III? I mean, he should be stuffing his face with food every second, if it were even possible for him to metabolize it into body mass that fast.)

But then that’s the fun of top 10 lists: Debating whether they actually are the top 10 or not.

Krauss also handles the subject of religion quite well. He’s respectful to religious sensibilities and interested in the theological questions that are raised by Star Trek technology, such as the implications for the transporter on the question of whether the soul exists.

In his discussion of this topic, though, I think he makes a mistake in reasoning, though it is a forgiveable one since it would require significant theological background to spot the problem and, after all, "He’s a physicist, not a theologian, dammit!" (Please excuse the bad word in deference to Dr. McCoy.)

Here’s the issue: If a transporter takes you apart molecule by molecule (or particle by particle), it would seem to kill you. If it then assembles an identical copy of your body (either out of the same atoms or new ones) and that new copy works properly then–one might suppose–it looks like we are nothing more than molecules in a particular, replicable pattern. In other words: There is no soul.

Krauss remains neutral in the book on whether souls exist, but I would take issue with whether the above line of reasoning works.

From a Catholic perspective, everything that is alive has a soul. Not everything has an immortal soul (only rational beings have those as far as we know), but life and the possession of a soul are concomittant.

So if a transporter makes an identical copy of your body and it’s alive then it has some kind of soul. If it’s clearly rational then it also clearly has a rational and thus an immortal soul. (But be careful here: The reverse is not necessarily true. If it isn’t clearly rational then that doesn’t mean it automatically lacks an immortal soul. Irrational people still have immortal souls by virtue of their membership in a rational species–mankind–even if their exercise of reason is impaired.)

If a transporter made a down-to-the-particle copy of you and it was not rational then I would say that this constitutes evidence that the soul does exist since clearly something other than a molecular copy of your body is needed for you to be rational.

But if it makes a copy and the copy is rational then I don’t think we have evidence one way or the other about the existence of the soul.

Why is that?

Because the evidence is consistent with either the hypothesis that we are nothing more than patterned molecules or the hypothesis that the copy has a new soul (yours presumably having departed when you were taken apart and killed).

To see the basis for the second hypothesis, let’s set aside the issue of killing: Suppose that the transporter doesn’t destroy your body. It just scans it and makes a copy of you, so now there are two of you. In this case, the transporter is functioning as a kind of high-tech cloning device, one capable of making an identical copy that doesn’t even have to grow up and acquire new memories. It’s a totally identical clone in the best tradition of bad sci-fi cloning stories.

But this would put the theological issue on the same footing as cloning, which theologians have already had the chance to chew over in real life.

As I’ve often pointed out before, if you were able to clone a person (either by fissioning an early embryo or by nuclear transfer) and you got a rational being as a result then it would be unambiguous that the clone has a rational soul.

Why is that?

Well, all you’ve done in this case is come up with a new human body by a morally illicit means. God means human bodies to come into existence as the result of sexual union between a husband and a wife, and at the moment the body comes into existence, he provides it with a soul. That’s how he set things up to work for our species, and that’s the only way that it is moral for us to bring new humans into the world.

But God has already shown himself willing to provide souls even when human bodies are not generated in a morally licit manner. Humans have had the ability to create new human bodies in immoral ways for a long time (e.g., by premarital sex, by adultery, by rape). Recently we’ve added some new techniques (e.g., in vitro fertilization). And we may soon add more (e.g., cloning). But it’s all the same thing: You’re just coming up with a new human body by immoral means.

God has been willing to endow people who were born in such ways with rational souls as is evidenced by the fact that they are both living and rational. Jesus even had some people like that in his family tree (think: the Tamar incident in Genesis 38).

So if–in addition to artificial twinning and nuclear transfer–you come up with a new cloning technology (transporter cloning) then you haven’t changed the playing field theologically. All you’re doing is coming up with a new human body (a rather mature one) by immoral means, but that won’t stop God from endowing it with a rational soul.

So it doesn’t seem to me that having a transporter produce rational copies of you would be evidence for the non-existence of the human soul.

It would be evidence for the existence of the soul if the transporter couldn’t produce rational copies that were known to be particle-for-particle identical to you. In that case we would have found an instance where God doesn’t provide a soul even though we’re providing a body. But the reverse isn’t the case.

I would thus say that the existence of the soul is to some extent verifiable but not falsifiable by transporter technology.

That doesn’t mean I’d be theologically comfortable with transporter technology. If it works as advertised then it’s basically a murder/cloning device.

Fortunately, in at least one episode, they indicate that you remain conscious through the transporter process, and if that’s the case then it doesn’t look like you’re being killed at all but simply adjusted in some way that allows you to pass through solid matter without actually being killed.

I’VE WRITTEN ABOUT THAT BEFORE.

So I differed with Krauss’s reasoning on this point, but it was still nice to listen to him tackle the obvious theological question that transporter technology would pose, and it was a pleasure to listen to his balanced and informed take on the physics of the show.

If you’d be interested in hearing an actual physicist offer a sympathetic but critical look at the subject then be sure to

GET THE BOOK.