SDG On DVC

Steven Greydanus’s review of The Da Vinci Code is up at DecentFilms.com. It has a lot of insightful stuff on it. Here’s a bit I find particularly so:

Ever since the book came out, members of the Catholic prelature Opus Dei — dismayed by Brown’s portrayal of the group as a fanatical, shadowy “sect” or “congregation” characterized by brainwashing, coercion, and self-mutilation — have been trying to get the word out that the book’s lurid fantasies have no basis in reality.

Insidiously, the film absorbs this message into the Da Vinci Worldview. In an early scene, when we meet Opus Dei Bishop Aringarosa (Alfred Molina, Spider‑Man 2), he’s on a plane rehearsing talking points intended to defend Opus Dei against critics. Opus Dei simply rejects “cafeteria Catholicism,” he says benignly, while his aide recommends he avoid sounding defensive. It sounds precisely like the message the real Opus Dei has been trying to put across — or for that matter what any serious Catholic would say about his faith. You see, that’s what they want you to think.

In a similar vein, protagonist Langdon has been subtly reworked from an outspoken proponent of Da Vinci esoterica into a more skeptical, ostensibly neutral scholar who mouths many of the objections Brown’s critics have been making, putting the burden of the Da Vinci worldview onto Teabing. Now we have Langdon arguing that the Priory of Sion is “a myth” and “a hoax,” while Teabing retorts, “That’s what they want you to think.”

A few critics have interpreted this as a concession to Christian concerns, but the actual effect is precisely the reverse: It essentially undermines critical objections by incorporating them into the film’s overall picture and then seeming to rebut them as Langdon is gradually converted to Teabing’s point of view.

Some Christians have optimistically hoped that The Da Vinci Code might provide a potential opportunity for dialogue and discussion about Jesus with people who might not otherwise be open to such discussions. Yet if anything the film seems calibrated precisely to inoculate viewers against any such discussion — to leave viewers with a skeptical agnosticism about efforts to set the record straight as all part of the conspiracy, “what they want you to think” (or “we can’t be sure”).

GET THE STORY.

Thanks, Professor Bainbridge!

Tech Central Station is not often devoted to matters of theology, but Professor Bainbridge has offered

THIS NICE POST

on the subject of The Da Vinci Code and the theological issues that it involves.

I was gratified to see that he quoted from the Catholic.Com web site and–in particular–a page from it that offers a tract of the early Church Fathers that I edited, demonstrating the early belief in Christ’s divinity.

How often do you get the early Church Fathers being quoted in a Tech Central Station blog entry?

Cool!

In the end, Prof. Bainbridge concludes:

All Dan Brown, Ron Howard, Tom Hanks, and that whole crew have
accomplished is getting richer by saying that "really foolish thing."

GET THE STORY.

The Albino

Y’know . . . every time I hear about Silas, the albino monk assassin in The Da Vinci Code, I can’t help but thinking about  . . . this guy . . .

The_albino

That’s my mental image of Silas, but could he be the guy I’ll see in The Da Vinci Code on Monday?

Incontheivable!

Rotten Tomatoes For The Da Vinci Code

Tomatometer_1
There’s a movie review site/portal called RottenTomatoes.Com that (among other things) gathers up snippets from and links to reviews of different movies.

One of the unique features of this site is its ratings system, which judges films "fresh" or "rotten" based on how many reviews of them are positive or negative. If a review of the film is generally positive, it will have a fresh tomato next to it, and if the review is generally negative, it will have a rotten tomato next to it.

These results are then aggregated together into something known as "the Tomatometer" (pictured above) that shows you what percentage of reviews are positive vs. negative. If a movie gets a minimum of 60% positive reviews then it’s judged a "fresh" film; otherwise it’s a "rotten" film.

Why 60% instead of 50%? (Everyone asks that.) In the words of the guys who run the site, "We feel that 60% is a comfortable minimum for a movie to be recommended."

Those critics who get their reviews counted toward the Tomatometer are
known, appropriately enough, as "Tomatometer critics." (And our own SDG
is one of them.)

The above is an image capture of where the Tomatometer was for The Da Vinci Code last night when I was writting this post: Only 6% positive, making the film rotten. There were sixteen Tomatometer reviews posted, only one of which (from the New York Post) was positive.

But the Tomatometer won’t stay that way.

Yesterday, when the first Tomatometer reviews were posted, the film was 100% rotten. Now it’s only 94% rotten. As more critics post their reviews, the percentage will further change.

HERE’S THE LINK SO YOU CAN CHECK WHERE THE TOMATOMETER IS NOW.

I’ll be interested over the next few days to see what the Tomatometer does regarding this film. I’m sure that the percentage of freshness will increase, but I’m dubious that it will get over the magic 60% to turn The Da Vinci Code into a fresh film.

My money would be that it’ll stay rotten, though by how much I can’t say.

I saw that in the message board on RottenTomatoes they were having a discussion of what the final freshness figure for the movie would be, with people betting (not for money) where they thought the meter would end up.

Anyone care to take a guess?

Ron Howard Endorses Boycott Of Da Vinci Code!

Ron_howardHe also encouraged outraged Christians to pre-judge his movie without seeing it first!

Yes! It’s true!

According to the Associated Press:

"There’s no question that the film is likely to be upsetting to some people," Howard told reporters. "My advice, since virtually no one has really seen the movie yet, is to not go see the movie if you think you’re going to be upset. Wait. Talk to somebody who has seen it. Discuss it. And then arrive at an opinion about the movie itself" [SOURCE].

So there you have it!

Ron Howard encourages people who might be upset to "not go see the movie" and, instead, wait and rely on the opinions of others to "arrive at an opinion about the movie itself" without seeing it first!

You really have to hand it to him for throwing in his lot with the boycotters and those who want to pre-judge his movie like that.

I mean, it would have been so easy for Howard to do what most directors would do and say something like, "These people calling for boycotts are absurd. They haven’t even seen the movie. How can they know whether it’s offensive or not? I’d encourage everyone to go out and see the movie and then decide for themselves what they think about it. I think they’ll like what they see!"

Yessirree, Bob! No typical Hollywood spin from Mr. Ron Howard on this one! He’s encouraging people to boycott his film and to form opinions about it without seeing it!

Maybe there’s a little Mayberry left in him after all.

May 19: Go To The Movies!

Davincicode

NOTE: I decided to republish this post just to remind y’all of a very effective means of protesting the opening of The DaVinci Code this weekend. Read on! –MA

Got plans for May 19, the day that the movie The DaVinci Code is slated to open? If not, go to the movies. If so, then go to the movies sometime that weekend before May 21. Just don’t go to The DaVinci Code.

That’s the advice being given to Christians by Christians who know how Hollywood works and know the best way to get the bean-counters in Hollywood to listen:

"May 19th is the date the Da Vinci Code movie opens. A movie based on a book that wears its heresy and blasphemy as a badge of honor.

"What can we as Christians do in response to the release of this movie? I’m going to offer you the usual choices — and a new one.

"Here are the usual suspects:

"A) We can ignore the movie.

"The problem with this option: The box office is a ballot box. The only people whose votes are counted are those who buy tickets. And the ballot box closes on the Sunday of opening weekend. If you stay home, you have lost your chance to make your vote heard. You have thrown your vote away, and from Hollywood’s point of view, you don’t count. By staying home, you do nothing to shape the decision-making process regarding what movies will make it to the big screen.

"B) We can protest.

"The problem with this option: It doesn’t work. Any publicity is good publicity. Protests not only fuel the box office, they make all Christians look like idiots. And again, protests and boycotts do nothing to help shape the decisions being made right now about what movies Hollywood will make in the next few years. (Or they convince Hollywood to make *more* movies that will provoke Christians to protest, which will drive the box office up.)

"C) We can discuss the movie. We can be rational and be ready with study guides and workshops and point-by-point refutations of the lies promulgated by the movie.

"The problem with this option: No one’s listening. They think they know what we’re going to say already. We’ll lose most of these discussions anyway, no matter how prepared we are, because the power of story always trumps the power of facts (why do you think Jesus taught in parables?!). And once again: rational discussion of history does nothing to affect Hollywood’s choices regarding what movies to make.

"But there’s a fourth choice.

"On May 19th, you should go to the movies.

"Just go to another movie.

"Save the date now. May 19th, or May 20th. No later than Sunday, May 21st — that’s the day the ballot box closes. You’ll get a vote, the only vote Hollywood recognizes: The power of cold hard cash laid down on a box office window on opening weekend.

"Use your vote. Don’t throw it away. Vote for a movie other than DVC. If enough people do it, the powers that be will notice. They won’t have a choice.

"The major studio movie scheduled for release against DVC is the DreamWorks animated feature Over the Hedge. The trailers look fun, and you can take your kids. And your friends. And their friends. In fact, let’s all go see it.

"Let’s rock the box office in a way no one expects — without protests, without boycotts, without arguments, without rancor. Let’s show up at the box office ballot box and cast our votes. And buy some popcorn, too.

"May 19th. Mark your calendars now: Over the Hedge‘s opening weekend. Buy a ticket.

"And spread the word. Forward this e-mail to all the Christians in your address book. Post it on your blogs. Talk about it to your churches. And let’s all go to the movies."

Spread the word. And go to the movies on May 19.

(Credit note: I received notice from an email forward originally sent by Barbara Nicolosi of Act One. The campaign was originally started by Quoth the Maven.)

This’ll Be Good For Box Office

MckellenSir Ian McKellan was on the Today Show this morning with the rest of the cast of The Da Vinci Code, plus director Ron Howard, and when the interviewer asked what the cast would have thought about it if the movie had carried a "This is just fiction" title card, McKellan immediately responded that he thought the Bible shoulc carry such a notice.

Perhaps sensing he had gone too far, he then tried to explain and then backpeddal and ultimately made a mess of things.

WATCH THE VIDEO.

VARIETY SLICKS NIX PIC!

HanksYEE-HAW!!! That magisterial mag of movie magic, Variety, has done the dishes on The Da Vinci Code and dished the pic a turkey-sized pan!

Here are some blurbs SONY probably won’t be using from their review:

"A stodgy, grim thing"–Variety

"Perhaps the best thing the project’s critics could have hoped for"–Variety

"Exceedingly literal-minded"–Variety

"Ron Howard and screenwriter Akiva Goldsman have conspired to drain any sense of fun out of the melodrama"–Variety

"An oppressively talky film"–Variety

"It is impossible to believe that, had the novel never existed, such a script would ever have been considered by a Hollywood studio"–Variety

"The irony in the film’s inadequacy is that the novel was widely found to be so cinematic"–Variety

"What went down easily on the page becomes laborious onscreen"–Variety

"High-minded lurid material sucked dry by a desperately solemn approach"–Variety

"A palpable lack of chemistry between Hanks and Tautou"–Variety

"Howard . . . makes them both look stiff, pasty and inexpressive"–Variety

"A film so overloaded with plot that there’s no room for anything else, from emotion to stylistic grace notes"–Variety

"Hans Zimmer’s ever-present score is dramatic to the point of over-insistence"–Variety

"Missed opportunities"–Variety

"The final dramatic revelations . . . come off as particularly flat"–Variety

READ THE WHOLE THING!

CANNES AIN’T CONNED, NEITHER.

BUT WAIT, THERE’S MORE!

A Da Vinci Flameout?

If I were Ron Howard and the folks at SONY, I’d be nervous right now.

Why?

Because we just witnessed the underperformance of Mission Impossible III, which is a summer-release movie that is build on a popular, pre-existing franchise. If that’s a signal for what the rest of the summer holds (and it goes along with the trend of underperforming blockbusters that we’ve been having the last few years) then it may speak ill for The Da Vinci Code movie.

Also, there as been a chorus of cardinals at the Vatican dissing the film. Sure, controversy sells, but there is such a thing as too much controversy.

Also, the studio has been WAY cagey with advance screenings–which is a sign of lack of confidence in a film since holding more screenings and having them earlier would let more negative word about a film get out there. (It’s not like this is Episode III, where Lucas was trying to keep spoilers from getting out. Everyone already knows what the spoilers for The Da Vinci Code are.)

And then there’s this Barbara Nicolosi comment over at Amy’s, which one reader helpfully pointed out down yonder:

The buzz on the streets here in Hollywood is that the film is embarrassingly bad. The studio has stirctly limied the MPAA screening – usually about 500-800 people – to only 100 people. No one is getting in to advance screenings which has everybody saying things like, "The only time studios act this way is when they have a Class A Dud on their hands."

The script is a dud. The ultra-weird transitions from people running from long-winded seminars on ecclesiastical history to murderous Opus Dei assassins to Biblical period flashbacks of Jesus and Mary Magdalen looking tenderly at each other made me laugh at loud.

Sony knows they will only have devastating word of mouth on this one. So they have to get everybody in the first weekend.

On her own blog, Barbara says that

RON HOWARD SURE LOOKS NERVOUS.

Sounds like it’s with good reason.

There are few things I’d like more going into Memorial Day Weekend (a traditional blockbuster time) than a flameout at the box office for The Da Vinci Code.

The Da Vinci Movie: WORSE Than The Book?

The movie version of The Da Vinci Code is scheduled to be released this Friday and, though I’m not at all happy about it, I’ll need to go see the thing for professional reasons. (I expect that I may come out of the theater so mad I could spit.)

One of the questions I have about the movie is whether the filmmakers will have done anything to ameliorate the anti-Christian elements in the book. For a while, some have been hopeful that they would do so–perhaps even changing central elements of the book in the way that Hollywood films often do.

But if a (non-committal) review carried in The Telegraph is accurate, not only does the film closely follow the book but it may actually be worse than the book:

Although the movie closely follows the book’s storyline, Howard delivers something Dan Brown doesn’t – dramatic recreations of events relating to the book’s central inflammatory theory that for 2,000 years the Catholic Church has been covering up the fact that Jesus was married to Mary Magdalene and fathered a daughter, whose bloodline has survived into present-day Europe.

As well as scenes of the Inquisition and of women being tortured, burned and drowned, Howard shows Mary Magdalene fleeing the Holy Land for France and giving birth there.

GET THE STORY.
(CHT to the reader who e-mailed.)