Top 10 Tech Bloopers

CHT to the reader who e-mailed

THIS LINK.

It’s to a list of common situations in which movies and television misrepresent the usability of different technological interfaces. Watching these things has bugged me no end . . . like in Star Trek III: The Search For Spock, where the group gets into a Klingon ship and manages to figure out how to fly the thing in a couple of minutes of fiddling with the controls? Never happen!

I was thus entirely in sympathy with the list when it includes items like these:

1. The Hero Can Immediately Use Any UI

Break into a company — possibly in a foreign country or on an alien planet — and step up to the computer. How long does it take you to figure out the UI and use the new applications for the first time? Less than a minute if you’re a movie star.

The fact that all user interfaces are walk-up-and-use is probably the single most unrealistic aspect of how movies depict computers. In reality, we know all too well that even the smartest users have plenty of problems using even the best designs, let alone the degraded usability typically found in in-house MIS systems or industrial control rooms.

2. Time Travelers Can Use Current Designs

An even worse flaw is the assumption that time travelers from the past could use today’s computer systems. In fact, they’d have no conception of any of modern technology’s basic concepts, and so would be dramatically more stumped than the novice users we observe in user testing. Even someone who’s never used Excel at least understands the general idea of computers and screens.

You might think that people coming from the future would have an easier time using our current systems, given their supposedly superior knowledge. Not true. Like our travelers from the past, they’d lack the conceptual model needed to make sense of the display options. For example, someone who’s never seen a command line or typed a command would have a much harder time using DOS than someone who grew up in the DOS era.

If you were transported back in time to the Napoleonic wars and made captain of a British frigate, you’d have no clue how to sail the ship: You couldn’t use a sextant and you wouldn’t know the names of the different sails, so you couldn’t order the sailors to rig the masts appropriately. However, even our sailing case would be easier than someone from the year 2207 having to operate a current computer: sailing ships are still around, and you likely know some of the basic concepts from watching pirate movies. In contrast, it’s highly unlikely that anyone from 2207 would have ever seen Windows Vista screens.

3. The 3D UI

In Minority Report, the characters operate a complex information space by gesturing wildly in the space in front of their screens. As Tog found when filming Starfire, it’s very tiring to keep your arms in the air while using a computer. Gestures do have their place, but not as the primary user interface for office systems.

Many user interfaces designed for the movies feature gestural input and 3D data visualizations. Immersive environments and fly-through navigation look good, and allow for more dramatic interaction than clicking on a linear list of 10 items. But, despite being a staple of computer conference demos for decades, 3D almost never makes it into shipping products. The reason? 2D works better than 3D for the vast majority of practical things that users want to do.

3D is for demos. 2D is for work.

READ THE WHOLE THING.

This Is Not Captain Kirk

Chase1It’s Captain Chase.

Looks a lot like Kirk, tho, don’t he?

Folks may know that there is currently a Star Trek XI in the works, and since J. J. Abrams is doing it, it may actually be the first exception to the "odd = bad, even = good" rule for Star Trek films, which has thus far been iron clad (at least if you understand it in a slightly more nuanced form of "odd = bad or at least less good than the most recent even, even = better than the most recent odd").

That’s not the only Trek video project under consideration, though, as the illustration on the left shows.

Turns out that, now that Paramount has gritted its teeth and put out the Star Trek Animated Series from the 1970s  on DVD (where’s The Star Wars Holiday Special, George?), they’re considering a new one modelled after the successful Star Wars: Clone Wars animations that were released to web/TV/and DVD.

Like Clone Wars, this Trek series is envisioned as being composed of short, more action-oriented chapters that are originally presented on the web but that form a larger story when strung together.

The setting for this story is described like this:

The setting is the year 2528 and the Federation is a different place
after suffering through a devastating war with the Romulans 60 years
earlier. The war was sparked off after a surprise attack of dozens of
‘Omega particle’ detonations throughout the Federation creating vast
areas which become impassible to warp travel and essentially cut off
almost half the Federation from the rest. During the war the Klingon
homeworld was occupied by the Romulans, all of Andoria was destroyed
and the Vulcans, who were negotiating reunification with the Romulans,
pulled out of the Federation.

The article then says:

The setting may seem bleak and not very Trek-like, but that is where the show’s hero Captain Alexander Chase comes in. Relegated to border patrol, Chase is determined to bring the Federation (and a ship called Enterprise) back to the glory days of seeking out new life and new civilizations.

I don’t know that this is distinctively bleak or un-Trek-like. We’ve had bleak Trek visions before, and it’s generally been some of the most interesting things they’ve done with the franchise (e.g., the episode with the alternate timeline where the Federation was losing a war with the Klingons, the whole Dominion War cycle on DS9; and then there’s the Borg). The happy, clappy "Gee whiz! Let’s go explore the galaxy, kids!" material has been the worst and least interesting.

Then the article says something that mystifies me:

The parallels with the real world are obvious.

Huh? What the heck are they talking about?

The view is that to be relevant Trek cannot skirt around issues. Rossi explains: "couching big social issues in allegories so they are more palatable is kind of passé now. Today shows deal with these issues head on, so we decided to  make the entire show an allegory. The premise is an allegory for the post-9/11 world we live in. A world of uncertainty and fear."

Excuse me, but when has mankind EVER not lived in a world of uncertainty and fear? 9/11 was not the introduction of original sin into the world. We’ve had division and secession and sneak attacks and invasions and assassinations and genocides and all kinds of nasty stuff like that for thousands of years. You’re going to have to get a lot closer to what’s going on today if you want me to see parallels to the modern world that are distinctive compared to what’s been happening all throughout history.

Unless you’re so George Bush-obsessed that you see every drama through the lens of the global war on terror, or unless you have no awareness of history at all, you’re just not going to be seeing striking parallels to today lurking under every rock.

I suspect the bit about the show being "relevant" to today is just spin on the part of the producers to try and sell the series.

GET THE STORY.

No New B5 Today. New B5 Tomorrow.

Or soon, anyway.

As folks may know, Babylon 5: The Lost Tales is now being produced as a series of direct-to-DVD mini-movies. The footage for the first pair is in the can. JMS writes:

As I write this, we have finished principal photography on "Babylon 5: The Lost Tales," coming in under budget and finishing a full day ahead of schedule.

This first DVD, entitled "Voices in the Dark," covers the same 72 hour period of time as Sheridan travels on board a Presidential Cruiser en route to Babylon 5 from Minbar for a celebration marking the 10th anniversary of the founding of the Interstellar Alliance. One part of the story follows Sheridan as he picks up an unexpected visitor on the edge of Centauri space, Prince Regent Dius Vintari, and a warning about what will come afterward delivered by the techno-mage, Galen. The other part of the story is set aboard Babylon 5, as Colonel Lochley summons a priest from Earth space to deal with a problem that may have dark supernatural overtones. The two parts of the greater story intersect at certain key plot and thematic points, so that they overlap and complement each other while telling separate, but simultaneous, stories.

READ MORE ABOUT WHAT’S GOING ON AND LOOK AT THE FIRST-RELEASED PRODUCTION PHOTOS.

MST3K Revividus!

MikebotsIt was a sad day, seven years ago now, when Sci-Fi cancelled Mystery Science Theater 3000.

I was watching when Mike and the bots signed off for the last time, the credits rolled, and the haunting Love Theme From MST3K played.

Sniff.

What a great show that was. I and my college buddies had been doing the same thing in our living rooms for years (in fact, I can still annoy people riffing movies we’re watching on DVD), but this show did all the comedy work for you–so you don’t have to!

The show is too cool an idea to remain forever dormant, and it may someday make a return to the airwaves (or at least the coaxial cables).

And now the digital millennium has brought the show back! . . . almost.

In an age when TV show producers are producing podcast commentaries that you can download and listen to as you watch their shows, Mike Nelson and his pals got the idea of cutting out that expensive middleman–the TV network–and bringing their mstings straight to you!

The result is RiffTrax, a service where Mike–together with Kevin Murphy (Tom Servo) and Bill Corbett (Sci-Fi’s Crow "I’m Different!" T. Robot)–produce mp3 riff-laden commentaries that you can download and watch along with the corresponding DVD (sold separately).

They even have a few DVDs that contain the riff-track ON the DVD, including a version of one of the most-requested movies that they never got around to doing on the show: Plan 9 From Outer Space! I know I’m going to get that one.

I’m pleased as punch to see these guys (a) bringing back their hilarious movie commentaries and (b) finding a way to make some money again after all these years, so

CHECK IT OUT.
(CHT: Catholic Whiteboy)

Don’t know what we’re talking about? Missed out on all the fun?

GET EDJUMACATED.

Incidentally, Mike Nelson is an Evangelical who has a special interest in apologetics. I’ve exchanged e-mail with him before, and he seems like a real nice guy. Some of the other regulars from the show, such as Kevin Murphy and Mary Jo Pehl (Pearl Forrester) were Catholic, and Christian and Catholic themes often showed up in the commentaries (along with other, less mentionable material on occasion, but you know what Ludwig Wittgenstein said about things we can’t talk about).

In The Mail

God_or_the_girl_1I just received a review copy of the DVD release of the A & E reality series "God or the Girl," which aired a piece back.

I didn’t see it when it aired, but it got very good reviews and was widely perceived as a thoughtful, responsible look at the issue of vocations discernment (despite its rather sensationalistic title), as exemplified by the experiences of several young men trying to discern whether they might be called to the priesthood.

A lot of folks in the Catholic community praised it, and now A & E Home Video has it out on DVD, along with new bonus features that were not part of the original broadcast.

If you’re interested but haven’t seen it, or if you have seen it and would like to again, or if you’d like to give it as a present to a young man discerning his own vocation, be sure to

GET
THE SERIES.

New Galactica Tonight

Galactica_1Well, the long wait is finally over. Season 3 of Battlestar Galactica begins tonight on Sci-Fi.

Galactica’s at a new time (an hour earlier), so the lineup is as follows (Eastern & Pacific; your timezone may vary):

7:00 Heroes (a show I’ve only just discovered and don’t know much about yet, but it’s supposed to be good from what I hear)

8:00 Dr. Who (the 2nd ep of the 2nd season)

9:00 Galactica (2 hour season premier)

Events at the end of last season found the Colonials of Battlestar Galactica settled on a new homeworld, only to have the situation spoiled by the arrival of their evil robot enemies, the Cylons.

This sets up the beginning of season 3 as a "jumping-on point" for new viewers, so if you haven’t tried the series yet, you might want to.

In the gap between seasons we had the webisodes about the resistance that forms between seasons 2 and 3, all of which are now online. (Minor bad language warning.)

There’s also a recap of the story so far.

And after the end of season 2, I made a number of predictions about what would be coming up on the show.

LET’S SEE HOW WELL I DID.

I just hope that they stick with having backed off the sex, as they have of late.

Hello, Doctor

Drwho10The longest-running science fiction television series is–it seems hard to question—the BBC "programme" Dr. Who.

Fans of the series have followed The Doctor through all ten of his incarnations thus far, and tonight a new one begins for his American fans.

Yes, tonight on Sci-Fi the Doctor returns for another season and another incarnation of the famous time-travelling timelord.

The season debuts at 8 p.m. Eastern and Pacific, from what I have been able to tell.

MORE DETAILS.

The Resistance

BsgWhen Season 2 of Battlestar Galactica ended, it was announced that the new season wouldn’t be starting until October, which seemed a long way away.

Well, the time is almost upon us, and SciFi is now ramping up to the new season by releasing a set of ten webisodes that advance the story by bridging Seasons 2 and 3. (CHT to the reader who e-mailed!)

The webisodes are being released twice a week, one on Tuesday and one on Thursday at noon Eastern, and they tell the story of the developing resistance movement, chafing under Cylon rule on New Caprica. In fact, the title of the webisode series seems to be "The Resistance."

Thus far, three webisodes have been released, so there are seven more to go.

YOU CAN VIEW THEM HERE.
(minor bad language warning.)

If you need a refresher on what’s happened in the story so far or haven’t yet watched BSG,

YOU CAN GET A 3-MINUTE VIDEO RECAP HERE (WHICH ALSO HAS A PREVIEW OF SEASON 3).

Incidentally, when Season 2 finished, I made some predictions about what would happen in Season 3.

LET’S SEE HOW ACCURATE I WAS.

This post of JimmyAkin.Org is brought to you by the letter "R," the number "5," and the word "webisode."

Stargate X-Treme!

XtremeI recently discovered that iTunes has this season’s episodes of Stargate SG1 available for download, so when I realized that I’d missed the TV airing of the 200th episode, I thought, "Man, I don’t want to wait for the DVDs on that one; I ought to download it!"

So I did.

WOW!

That has to be the most . . . what’s the term? . . . psychedelic? . . . parody-filled? . . . loony? . . . oh, heck, I don’t know. But it was the most SOMETHING episode ever.

The 200th episode–titled "200" (a number they give a meaning to within the episode itself)–is a sequel to the show’s 100th episode, which was not titled "100" but "Wormhole X-Treme!", which hilariously parodied not only Stargate SG1 itself but also the way the cable TV industry works.

This time, they go beyond that, doing parodies of, well . . .

1) Stargate SG1 itself,

2) Stargate SG1 parodying itself as Wormhole X-Treme,

3) The TV industry,

4) The movie industry,

5) Detective shows

6) Stupid efforts to revamp shows to make them younger and hipper

7) Star Wars,

8) Star Trek,

9) Farscape,

10) The Wizard of Oz, and . . . and . . .

11) a parody of something that is so BIZARRE that I’m not even going to tell you what it is so that it won’t spoil the surprise.

The last of these involves a re-envisioning of SG1’s origin that, once again, has a tongue-in-cheek return of the absolute WORST, MOST HORRIBLE, OVER-THE-TOP line EVER written in Stargate history. It originally appeared in the pilot episode and was delivered by (then) Capt. Samantha Carter. The actress who plays her–Amanda Tapping–complained so much about the line that now whenever we see an alternate version of the team’s origin (whether in another timeline or whatever) they bring back the line to mock how horrible it was.

They also (sorta) fulfill the promise to let us finally see the missing "Fifth Race," the Furlings–who we learned existed back in Season 1 and have never seen even though we’re now in Season 10. (Personally, I’m disappointed with what they did on this one, though it was funny, and I hope they fix it before the end of the current–and last–season.)

This episode, for fans of the series, is simply amazing. The amount of parody crammed into it is stunning, and they even managed to pull off a thoughtful ending (pictured, believe it or not, above).

Now, for those of you who missed the episode and don’t have iTunes . . . YouTube to the rescue!

This has to be one of the most heavily YouTubed TV episodes of a show ever, and–in fact–it seems you can watch the whole thing via YouTube:

PART ONE / PART TWO / PART THREE / PART FOUR / PART FIVE

Well, This Isn’t A Total Surprise

FROM SCI-FI WIRE:

SG-1 Ends Run; Atlantis Back

SCI FI Channel confirmed that it will not renew its record-breaking original series Stargate SG-1 for another season, but will pick up its spinoff series Stargate Atlantis for a fourth year. SG-1 aired its 200th episode on Aug. 18, and the SF series is the longest-running SF show on American television.

SCI FI issued the following statement on Aug. 21: "SCI FI Channel is proud to be the network that brought Stargate SG-1 to its record-breaking 10th season. Ten seasons and 215 episodes is an astounding, Guinness World Record-setting accomplishment. Stargate is a worldwide phenomenon. Having achieved so much over the course of the past 10 years, SCI FI believes that the time is right to make this season their last on the channel. SCI FI is honored to have been part of the Stargate legacy for five years, and we look forward to continuing to explore the Stargate universe with our partners at MGM through a new season of Stargate Atlantis."

Stargate SG-1, developed for television by executive producers Brad Wright and Jonathan Glassner, is based on the 1994 feature film Stargate. SG-1, which originally starred Richard Dean Anderson, Michael Shanks, Amanda Tapping and Christopher Judge, began on Showtime, then moved to SCI FI after five seasons. The current cast includes Tapping, Shanks and Judge and newcomers Ben Browder, Claudia Black and Beau Bridges. It airs Fridays at 9 p.m. ET/PT [SOURCE].

CHT to the reader who e-mailed.

I’m sorry to see SG1 go, but it’s quality hasn’t been as high the last few years. I’m impressed with how well they did after Richard Dean Anderson MacGuyvered his way out of the program. The introduction this season of Vala (sp?) as a regular character was a breath of fresh air, but SG1 hasn’t been able to motivate me to tune in each week for some time (couldn’t compete with square dancing), so I’ve been catching reruns and plan on watching the last couple of seasons complete on DVD.

I’m glad that they’re keeping Atlantis around, though I don’t think that show has ever equalled SG1 when the latter was at its peak. The writing has always seemed muted, somehow, though I love the character Rodney MacKay (sp?). Perhaps with SG1 off the air, Atlantis will take off and grow the way DS9 did once TNG and B5 were off the air. The departure of the latter two shows gave DS9 the ability to cut loose and spread its wings without cramping other series, and perhaps with the whole Stargate universe to itself now, Atlantis will be able to tell stories without having to worry about stepping on SG1’s toes.

I’d be interested to see what the ratings have been for SG1 vs. Atlantis. I suspect that SG1’s are higher, but this wasn’t purely a ratings-based situation. The SG1 writers have been having a hard time making do, between franchise aging and the departure of major cast members. It does make creative sense to end the series before its scraping the bottom of the barrel (which I personally don’t think it’s at; I can imagine sci-fi a LOT worse than the current season of SG1).

There’s also something that the above press-release doesn’t mention:

This is a repositioning of where the network is putting its money. A cable network only has so much money to devote to developing new proramming, and there are only so many serieses that Sci-Fi can produce at a given time. So a major reason SG1 is being put out to pasture is to make way for a new series: Caprica. The Battlestar Galactica franchise has been so successful (it WAS able to get me to tune in weekly last season) that the network is wanting more in that mold. So what we’re watching is a pirouette between the two franchises, with the young, dynamic Galactica series taking the lead over the still-watchable but somewhat-worn-around-the-edges Stargate franchise.

It would be impolitic to say such things in a press release announcing the end of SG1, though.

Wouldn’t sit well with Stargate fans to say "We can’t produce an extra new series each week, so SG1 is going away to allow us to do Caprica."

That wasn’t the only reason for the decision, of course. The ones mentioned above were, too, and ratings decline certainly was as well. But Caprica’s arrival no doubt played a role.