Sounds From Hell

A reader writes:

What is the church teaching on location of hell and the duality of it Abraham’s bosom vs. hell fire.

I am curious because I recently came across some audio claiming to be the sounds of hell emanating from a 9 mile dig in Siberia". I am also wondering what you could tell me about this story and any of the others I mentioned.

I have surfed and read numerous sites opinions and even heard that we,  the Americans have a similar story form the 60’s. Then I read about Jacques Cousteau hearing screaming voices coming from beneath the seabed of Cuba.

I also recently learned of the deep sea worms that were discovered living in 180 plus degree tempereatures and read about what Jesus said "where their worm dieth not, and the fire is not quenched" (Mark 9:43-48).

Finally I read about the "paradise" side of hell, Abraham’s bosom and then fire and brimstone Hell.

The Church allows a great deal of liberty in the interpretation of Scripture. For the vast majority of passages–including the parable of Lazarus and rich man (the one mentioning Abraham’s bosom)–the Church basically allows one to interpret the text in the way one feels that the evidence best supports, as long as one does not contradict a doctrine of the faith.

While stories about hearing what sounds like sounds of hell are scary and interesting to think about, I find it very unlikely that there is any truth to them, for several reasons:

First, departed souls don’t have physical form and thus would not naturally be able to make noise. No body, no throat, no lungs.

Second, the depiction of hell as "down" in Scripture is a metaphor. Hell isn’t really "down" any more than heaven is "up." The two are not physical places in this universe. You couldn’t go to heaven with a space ship or to hell with a backhoe. Heaven and hell are depicted as inaccessably high and inaccessibly low because they are places that are inaccessible to humans–we can’t physically go there in this life–and so Scripture metaphorically uses inaccessible places (up in the sky, under the earth) to depict where they are.

(Incidentally, note that though the two places are not in this universe, they can receive physical bodies–for the saved and the damned will have their bodies after the resurrection, just as Jesus and Mary do in heaven now.)

Third, if you think about the physics of sound (i.e., acoustics) then it would quickly be clear that voices don’t penetrate rock and earth very far. Even if you had a lot of voices, they wouldn’t be able to penetrate rock and earth very far at all as recognizable screams. That’s one reason we can’t find trapped miners that easily and can’t hear them until the material trapping them is very thin. Consequently, it is unlikely that Jacques Cousteau could detect the sounds of screaming under the ocean floor unless hell was very, very close to the surface.

Same thing goes with voices from holes in the ground. Voices–particularly recognizable screams–just don’t travel that far. Hell would have to be very, very close to the Earth’s surface.

We’ve done so much exploring that, if hell really were a physical place close to the Earth’s surface then we would have found it by now. Consequently, if you hear voices shouting from a hole someone has dug in the ground you should think "trapped miners" or something like that, not "damned souls."

About the imagery of fire and worms connected with hell, this is an extension of picturing it as "down" and a place of suffering. People in ancient Israel buried their dead, and they knew that worms get involved after burials (given the fact they didn’t have hermetically sealed coffins back then, or even coffins at all), and so it was natural to picture worms as one of the torments of the damned.

Similarly, being burned by fire is about the most intense torment that a human of the ancient world could imagine (since they didn’t know about sinking electrodes into the brain’s pain reception center), making it a fitting symbol of the natural of the ultimate torment of damnation.

I couldn’t rule out the idea that there is some role for the fact that if you go down deep in caves that it starts to get hot (due to the magma inside the Earth) in the development of this imagery, but I think by far the larger role is just the fact that being burned by fire is the most intense form of torment the ancients knew.

As to the relationship of paradise/Abraham’s bosom to hell, you should be aware that the terms for hell in Scripture do not (most of the time) pick out the unique place of the damned. In the Old Testament the word is sh’ol (not SHEE-ol!) and it just describes the place of the dead, both good and bad. Same thing with the Greek word hades. Even the English word hell originally just meant the place of the dead, not the place of the damned.

Because these words were used as a catchall for the place the dead went, it was presumed that the righteous dead were comforted in sh’ol/hades, while the unrighteous were being tormented there. That’s the background to the parable of Lazarus and the rich man, where both Lazarus and the rich man are in the land of the dead but are experiencing different fates: Lazarus is apparently at a banquet with Abraham and is leaning against his bosom (the was John leaned against Jesus’ bosom at the Last Supper; the ancient Israelites ate dinner reclining at a low table) while the rich man is being tormented across a gap of some kind.

Since Christ has now opened the gates of heaven to the dead, the righteous dead are in a glorified state now that goes beyond the comfort they had previously, though what this means in terms in terms of how they are spatially related to the damned is something we can’t say–or possibly even imagine–at this point.

Three Days To Never

ThreedaystoneverI finished Tim Powers’ new book, Three Days To Never, and I really liked it!

The story centers on a mild mannered English teacher (patterned after Tim himself) and his young daughter. The year is 1987, and the New Age "Harmonic Convergence" of that year is underway. The New Agers come in for a good bit of ribbing from various characters in the novel but–unbeknownst to anybody, including the New Agers themselves–the event causes a slight disruption of world affairs in a hidden, unseen way.

While that’s happening in the background, the English teacher and his daughter are trying to make sense out of a family tragedy: The teacher’s creepy grandmother has just died, leaving him a creepy and mysterious message about what she did and what can be found in the "Kaleidoscope shed" out back of her house.

Y’know, the kind of shed where you carve your initials into the wooden wall and then later they aren’t there?

When they enter the shed, the teacher and his daughter find that the grandmother used the shed to hold TV, a VCR, a video cassette of Pee-Wee’s Big Adventure, and a plaster block with the hand and footprints of Charlie Chaplin, which she stole from in front of Hollywood’s Chinese Theater. What do they have in common? What was she using them for? Why does the teacher’s long-lost father show up after so many years? How does Albert Einstein fit into all this? Why is the Israeli intelligence service–the Mossad–so interested in what’s happening? How about the rival group that used to have ties to Hitler? Or the blind assassin? And what about all those babies lying in the snow, waving their arms and legs for a few seconds before they mysteriously vanish?

To find out the answers to these questions, you’ll have to

GET THE BOOK!

(Incidentally, you’ll note that I’ve linked to a page in my new store, where you can buy other of Tim’s books, as well as other fine quality works.)

I found that the book was a very quick and enjoyable read for me. The plot proceeds at a swift pace, and there are nice elements of humor and irony as we proceed to keep a sense of whimsy in what is, essentially, a supernatural spy thriller.

Once I got past some of the major plot point (which I won’t spoil here), I found the book contained a very powerful statement about free will. I found myself liking and appreciating the characters, even the ones who weren’t on the right side (some of them, anyway), and about at least some points in the novel, I found myself contemplating, "Just how much of this goes on in real life?"

So: This book is enthusiastically recommended! Don’t miss it!

Now a few notes:

1) For those who have already read it, please keep the spoilers to a minimum in the combox. We don’t want to give away any of the big surprises (none of which I’ve touched) and spoil people’s fun.

2) Content advisory: Infrequent occurrence of a few cuss words and
one scene where a woman thinks back about her sexual history, but no
on-screen activity.

3) Stay tuned, because later this week I’ll be running an interview that Tim Powers graciously consented to give exclusively to the readers of JA.O!

4) Since I’m putting this up on Labor Day, it’ll be my only post for the day. Order the book and then go have fun!

Eggs Pope Benedict

Eggspopebenedict

While wandering the Web sniffing out something to blog about, my nose latched onto an aroma of eggs. Curious, I checked it out. Apparently, in the wake of Pope Benedict XVI’s election, some people were having a bit of good-natured fun with the new pope’s chosen name.

Behold the breakfast of popes: Eggs Benedict XVI.

(Nod to Chew Toys for the image. And speaking of Chew Toys, I must say that I enjoyed this blogger’s blog squib from Despair.com: "Quitters never win, winners never quit, but those who never win and never quit are idiots.")

Benedict XVI, when he was Joseph Cardinal Ratzinger, once said that "humor is in fact an essential element in the mirth of creation. We can see how, in many matters in our lives, God wants to prod us into taking things a bit more lightly."

Given the Pope’s great appreciation for humor, I think he’d also smile over the papal eggs. And then, after saying grace, I’m sure that he’d eat them.

The Telling Of The Beads

Oldrosary_1

Rosaries have a long and interesting history. They have evolved over the centuries from the earliest days when people used a bowl of loose pebbles to count their prayers to the form in which we have them today. While doing some research on the rosary, I found some interesting links on the history of the rosary.

(For more links than it is possible to include here, I recommend going to Google and searching on key words such as "history rosary.")

  • A blog devoted to early rosaries is titled, appropriately enough, Paternosters. The blogger, Chris Laning, describes the blog as "a journal about historical rosaries, paternosters and other forms of prayer beads, focusing on those in use before 1600 AD [sic]."
  • Laning also maintains a web site devoted to historical rosaries titled Paternoster Row, which is the name of a street in London where a craftsmen guild of rosary makers used to ply their trade (source).
  • Kevin Orlin Johnson has a book on the rosary that looks quite intriguing. It is titled Rosary: Mysteries, Meditations, and the Telling of the Beads.

A few years ago after John Paul II promulgated the luminous mysteries of the rosary, I wrote an article on the subject titled "Light for the World." It is now online at Catholic Answers’ web site.

GET THE ARTICLE.

AND THE SIDEBAR (which has some information on the history of the rosary).

While the rosary is not one of my favorite personal devotions, as a history buff I am fascinated by its history as both a prayer and an art form.